headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

3
Hurts Me Too
Feb. 8, 1970
Fillmore West

Swamp blooze. Pigpen was well on this night.
4
Black Peter
Feb. 7, 1970
Fillmore West

Starts a bit rough, but the final solo and out chorus builds and builds into a blazing triumph.
6
Sawmill
Feb. 7, 1970
Fillmore West

Enter the pedal steel. Goddamned sweet sounds here. It's unfortunately cut off, but worth every precious second.
4
Turn On Your Love Light
Feb. 6, 1970
Fillmore West

Pure '70 Dead. Like the HH before, this one grows steadily up to the full berserk, rather than exploding from go. Pig/Bobby outro is immortal.
7
High Time
Feb. 6, 1970
Fillmore West

Gorgeous harmonising and soulful singing. A clean, strong version that never drags.
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Comments

Morning Dew
Aug. 6, 1971
Hollywood Palladium

Best quality sound also gives this one extra massiveness. The show is pure gold. Really nice to hear Bobby properly mixed into an AUD, too.
Truckin'
Aug. 6, 1971
Hollywood Palladium

Want to be Jerry's guitar? Put your headphones on and get into it. Going through this show again and yes, it is one of the best AUDs of all time. This, friends, was what it was like to be at the show.
The Other One
Aug. 5, 1971
Hollywood Palladium

Really underappreciated here, probably because its big brother the next day is such a colossus. But give this one a whirl, and it'll whirl you right back. They capture that scary rushing part of the ride, while hinting at the monster bugs underneath without actually letting them out. Part of a great set in a great two-show run. Don't miss it.
Turn On Your Love Light
Aug. 4, 1971
Terminal Island Correctional Facility

Gets hotter and hotter, then reaches critical mass. Stick around for the end and you won't be disappointed. I wonder how the convicts felt about it. Did the crew bring any medicine in for them? You know in honor of Bear and all that?
St. Stephen
Oct. 29, 1977
Evans Field House, Northern Illinois University

Prettiest post-hiatus version I know - then gets hot and rocks beautifully. Jerry was famously ambivalent about this song, probably because the break in the middle interrupts the jamming sections, but here he plays it with all his magic. Edit: does anyone else hear the two chord ostinato figure in the out chorus (around 7:00 here) as church bells, or at least as the wishing well with the golden bell?
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