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Carrion_Crow

Stealth Head

+49667


Submissions

4
Cryptical Envelopment
Jan. 30, 1970
The Warehouse

The intro isn't much, but the outro just swells up and hits you in the head like a bag of hammers. Explosive power. Outrageous.
3
The Other One
Jan. 30, 1970
The Warehouse

Massive crunching slammer. Wrongfully ignored show. Hot Cryptical outro, too.
2
Good Lovin'
Jan. 30, 1970
The Warehouse

Why is this classic and historically important show ignored? They sound great here. Enjoy.
6
Easy Wind
Jan. 30, 1970
The Warehouse

Smokey gut-bucket blooze. Damned fine.
2
China Cat Sunflower -> I Know You Rider
Jan. 30, 1970
The Warehouse

Great vocals and wild harmony with a sweet jam from an historically important show.
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Comments

Morning Dew
Aug. 6, 1971
Hollywood Palladium

Best quality sound also gives this one extra massiveness. The show is pure gold. Really nice to hear Bobby properly mixed into an AUD, too.
Truckin'
Aug. 6, 1971
Hollywood Palladium

Want to be Jerry's guitar? Put your headphones on and get into it. Going through this show again and yes, it is one of the best AUDs of all time. This, friends, was what it was like to be at the show.
The Other One
Aug. 5, 1971
Hollywood Palladium

Really underappreciated here, probably because its big brother the next day is such a colossus. But give this one a whirl, and it'll whirl you right back. They capture that scary rushing part of the ride, while hinting at the monster bugs underneath without actually letting them out. Part of a great set in a great two-show run. Don't miss it.
Turn On Your Love Light
Aug. 4, 1971
Terminal Island Correctional Facility

Gets hotter and hotter, then reaches critical mass. Stick around for the end and you won't be disappointed. I wonder how the convicts felt about it. Did the crew bring any medicine in for them? You know in honor of Bear and all that?
St. Stephen
Oct. 29, 1977
Evans Field House, Northern Illinois University

Prettiest post-hiatus version I know - then gets hot and rocks beautifully. Jerry was famously ambivalent about this song, probably because the break in the middle interrupts the jamming sections, but here he plays it with all his magic. Edit: does anyone else hear the two chord ostinato figure in the out chorus (around 7:00 here) as church bells, or at least as the wishing well with the golden bell?
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