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Carrion_Crow

Stealth Head

+49652


Submissions

6
Beat it on Down The Line
Aug. 21, 1972
Berkeley Community Theater

Has one of Jer's longest continuous strings of up-tempo 16th note solo lines (in the changes) I can recall. Wicked fast and right as rain.
3
He's Gone
Aug. 20, 1972
San Jose Civic Auditorium

This version, and the one on the 12th, are just butter. I admit to sometimes not even noticing He's Gone, but this is a high spot for it.
2
Me and Bobby McGee
Aug. 20, 1972
San Jose Civic Auditorium

One of those amazing versions of this underrated song where everyone is blazing along in collective improv to genius effect. Just beautiful.
3
Sugaree
Aug. 20, 1972
San Jose Civic Auditorium

Damn fine swagger on this one, in spite of a murky tape. Show cleans up after a few songs - thanks to C. Miller.
2
Truckin'
Aug. 12, 1972
Sacramento Memorial Auditorium

High voltage 18-wheel Truckin'. Mix and sound on this show keep it in the shadow of others this month, but the music is all there.

Comments

Dark Star
April 28, 1971
Fillmore East

Not just a trip down memory lane, but a great demonstration of how far they'd evolved in two years after the peak TC era. It also sounds fucking great and twists and zigzags wildly and would have just been perfect to peak along to with a few thousand close friends....
Morning Dew
April 28, 1971
Fillmore East

Note for note perfect. May be my favourite of all time. I just keep coming back for more again and again. Love how it drops all the way down to pianissimo, just a delicate little whisper over the unmistakeable chord changes, then rises up and burns the multiverse into a smoking crater.
Hard to Handle
April 28, 1971
Fillmore East

Most pleasing and excellent. A right hot jam.
Playin' In The Band
Nov. 21, 1973
Denver Coliseum

Remarkable for how it's interwoven between everything else in this brilliant set, but simply amazing for the intense musicality and complex collective interaction during its jams.
Playin' In The Band
April 28, 1971
Fillmore East

They're still building it into what we know from '72 onward, and listening to them in sequence is a great ride. This one stands out from others of the time for exploring a slower, unfamiliar groove. Sounds a bit more like the original "Main Ten" than others in April '71. Interesting and fun.