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Carrion_Crow

Stealth Head

+49662


Submissions

1
Not Fade Away
July 25, 1972
Paramount Theater

For a show that sometimes lacks a little energy in places, they end it with quite a bang. This outro is exceptionally good.
1
Truckin'
July 22, 1972
Paramount Northwest Theatre

Slow star builds up huge head of steam and a slamin' jam. Ends funny, unsure whether >He's Gone or something else. Nice version, overlooked show.
1
Mississippi Halfstep Uptown Toodeloo
July 22, 1972
Paramount Northwest Theatre

Not too polished yet, but full of that new-song exhuberence. Great key work from Keith, and a funforall Reeeee-o Grand outro.
7
Playin' In The Band
July 22, 1972
Paramount Northwest Theatre

A thing of (overlooked) beauty. Tight, muscular and coherent. It never drags. A perfect '72 Playin' here.
14
Crazy Fingers
Feb. 28, 1975
Bob Weir's Studio

You've never heard it like this: Rehearsal tape, listed as "Distorto". Track 2. An absolute treasure. Hard-freaking-core. No words, just rock.

Comments

Dark Star
April 28, 1971
Fillmore East

Not just a trip down memory lane, but a great demonstration of how far they'd evolved in two years after the peak TC era. It also sounds fucking great and twists and zigzags wildly and would have just been perfect to peak along to with a few thousand close friends....
Morning Dew
April 28, 1971
Fillmore East

Note for note perfect. May be my favourite of all time. I just keep coming back for more again and again. Love how it drops all the way down to pianissimo, just a delicate little whisper over the unmistakeable chord changes, then rises up and burns the multiverse into a smoking crater.
Hard to Handle
April 28, 1971
Fillmore East

Most pleasing and excellent. A right hot jam.
Playin' In The Band
Nov. 21, 1973
Denver Coliseum

Remarkable for how it's interwoven between everything else in this brilliant set, but simply amazing for the intense musicality and complex collective interaction during its jams.
Playin' In The Band
April 28, 1971
Fillmore East

They're still building it into what we know from '72 onward, and listening to them in sequence is a great ride. This one stands out from others of the time for exploring a slower, unfamiliar groove. Sounds a bit more like the original "Main Ten" than others in April '71. Interesting and fun.