headyversion

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Carrion_Crow

Stealth Head

+49652


Submissions

12
China Cat Sunflower -> I Know You Rider
Oct. 17, 1972
Fox Theatre

Unique transition jam with a two-chord quarter-note striking pattern before IKYR. Band hits its stride in the set here.
1
Sugaree
Oct. 9, 1972
Winterland Arena

Smooth as liquid smoke. Beautiful recording and great show, complete with weirdness from Grace Slick. A few tape glitches, but worth it.
2
Friend of the Devil
Oct. 9, 1972
Winterland Arena

Hometown benefit show with a nostalgic feel for the '70 sound that just smokes here.
3
Greatest Story Ever Told
Oct. 2, 1972
Springfield Civic Center

Peak era for GSET. Jerry spontaneously combusts into a string-shredding inferno.
14
He's Gone
Oct. 2, 1972
Springfield Civic Center

Extra-special sauce on this one: The outro goes into a long unique jam before the gospel bit. The band is completely unified.
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Comments

Morning Dew
Sept. 21, 1974
Palais Des Sports

This show gets maligned for its looseness and at times less-than-fully ensemble playing. But I have another take: it was the end of the tour, and besides the Winterland October run, quite possibly the last Grateful Dead show ever. They were tired, it seems clear, but they opened up the hatches and let everything out just to see what would happen. Result: this Dew is slower, more thoughtful, but no less intense. Blazing in places, then introspective, melancholy, and experimental. Give the show a generous listen. It's interesting because of its flaws, not only in spite of them.
Eyes Of The World
Sept. 21, 1974
Palais Des Sports

The heavy 'dark' quality here is quite bracing. Reminiscent of some of Miles Davis' music from the era: 'Bitches Brew' and Live-Evil, and Agharta/Pangaea. And I mean this in a most beautiful way. If some of you Heads don't know this particular seam of influence on our boys, then check it out.
Eyes Of The World
Sept. 21, 1974
Palais Des Sports

Damned double post. Sorry mates.
Fire On The Mountain
July 27, 1973
Grand Prix Racecourse

Listened again: it isn't only the two-chord FTM vamp jam that makes this a bone fide embryonic version: They're definitely working out melodic themes that would become the song we love from years later. Damn, I love the Dead.
Around and Around
May 25, 1977
The Mosque

Goddamn, but this whole 2nd set is just immortal. They knew they'd killed it: Just listen to half the band ending while the other half sez, "hell no, we ain't done yet" and then they break into double time. Almost seems like they'd have doubled it again, but maybe the theater manager was pointing at his watch or something. Fuck 'em, cause they weren't done yet and we get some Johnny B. Goode to send it off. Mmm mmm Goode indeed.
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