headyversion

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Carrion_Crow

Stealth Head

+49667


Submissions

2
Hard to Handle
Nov. 11, 1970
49th Street Rock Palace

Hot soloing and '71 levels of intensity. Listenable in spite of some tape wobble and distortion. Fun to watch H2H expanding during this era.
1
Deep Elem Blues
Nov. 9, 1970
Action House

Headphones only very rough AUD, but one of the rare electric funky Deep Elems. Historical rarity.
1
Morning Dew
Nov. 9, 1970
Action House

Pity about the C- sound quality, because a new tape of this would show us a real corker.
10
Good Lovin'
Nov. 8, 1970
Capitol Theater

Final jam in an enormous show. Just killer. Follows the one NRPS set you need to hear. Whatta world.
2
Brokedown Palace
Nov. 7, 1970
Capital Theater

Through the AUD fuzz and chatter comes a beautifully rendered vocal performance. Enjoy this hidden treasure.
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Comments

Morning Dew
Sept. 21, 1974
Palais Des Sports

This show gets maligned for its looseness and at times less-than-fully ensemble playing. But I have another take: it was the end of the tour, and besides the Winterland October run, quite possibly the last Grateful Dead show ever. They were tired, it seems clear, but they opened up the hatches and let everything out just to see what would happen. Result: this Dew is slower, more thoughtful, but no less intense. Blazing in places, then introspective, melancholy, and experimental. Give the show a generous listen. It's interesting because of its flaws, not only in spite of them.
Eyes Of The World
Sept. 21, 1974
Palais Des Sports

The heavy 'dark' quality here is quite bracing. Reminiscent of some of Miles Davis' music from the era: 'Bitches Brew' and Live-Evil, and Agharta/Pangaea. And I mean this in a most beautiful way. If some of you Heads don't know this particular seam of influence on our boys, then check it out.
Eyes Of The World
Sept. 21, 1974
Palais Des Sports

Damned double post. Sorry mates.
Fire On The Mountain
July 27, 1973
Grand Prix Racecourse

Listened again: it isn't only the two-chord FTM vamp jam that makes this a bone fide embryonic version: They're definitely working out melodic themes that would become the song we love from years later. Damn, I love the Dead.
Around and Around
May 25, 1977
The Mosque

Goddamn, but this whole 2nd set is just immortal. They knew they'd killed it: Just listen to half the band ending while the other half sez, "hell no, we ain't done yet" and then they break into double time. Almost seems like they'd have doubled it again, but maybe the theater manager was pointing at his watch or something. Fuck 'em, cause they weren't done yet and we get some Johnny B. Goode to send it off. Mmm mmm Goode indeed.
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