headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49677


Submissions

16
St. Stephen
Nov. 2, 1969
Family Dog at the Great Highway

One of the definitive DS>SS>11 suites and it power rocks on its own. Young'uns: don't forget good '69...fear not and dive in!
5
Wharf Rat
April 14, 1971
Davis Gym, Bucknell University

Stretches further out than earlier ones, like the Birdsong before they seemed to find WR's deeper groove and go furthur with it. Result? Beeyootiful.
5
Sing Me Back Home
April 14, 1971
Davis Gym, Bucknell University

Saddle up heads, this is one of the nicest ones I know. Pre-Donna Jean, but the boys cover it with driving intensity and its nicely mixed for the era.
2
Bertha
April 14, 1971
Davis Gym, Bucknell University

Nailed it. Part of the great April run that coalesces the '71 sound. Killing 1st set with manageable mix and saturation issues.
4
Goin' Down The Road Feelin' Bad
April 12, 1971
Civic Arena

One of the tightest and best jams I've ever heard. Absolute magic. Goes straight into a killer Lovelight. This is an amazing show. Check it out.
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Comments

Row Jimmy
Sept. 18, 1974
Parc des Expositions

Smooth and mysterious, with lots of great slide and rhodes soloing. I always find a special trippiness to this song: Not gangbusters psychedelia, but an aqueous otherworldliness that this version captures nicely.
Smokestack Lightnin'
March 18, 1967
Winterland Arena

Brilliant and perfect Pig on this one. Apparently they opened for Chuck Berry, then played a second set after him. Any heads out there know what he thought of them and their take on his music?
Alligator
Sept. 3, 1967
Dance Hall

Unrelenting hurricane. A strong dose.
Viola Lee Blues
Sept. 3, 1967
Dance Hall

Easy to overlook the '67 Dead with so many great years after. Don't make such an error, cause they're just bursting with power. Real mind-blowing work on this VLB. Enjoy.
Bird Song
Nov. 17, 1972
Century II Convention Hall

More love needed for this sweet beauty. Elegant yet powerful - a real treat. I often wonder why such a beautiful song with obvious jam potential was mothballed for so long during some peak years. Any ideas?
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