headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

4
The Music Never Stopped
June 11, 1976
Boston Music Hall

Baffling that this isn't here yet. Perfect tight ensemble playing, exhuberence and one idea flowing into another. Great recent C.Miller cleanup too.
3
Brown Eyed Women
June 11, 1976
Boston Music Hall

Beautifully cleaned up version up now showcases the tight ensemble playing here. Bobby's tone is crystal clear and his fills are a treat to hear.
7
It Must Have Been The Roses
June 11, 1976
Boston Music Hall

If you've passed by this show, you're missing out a sweetheart of a Roses here. Check out the new C.Miller clean pane of glass in the window.
7
Might As Well
June 11, 1976
Boston Music Hall

New C.Miller cleanup (10/17) brings in the love. Brilliant show opener with everything '76 has to offer: Hot mellow, lyricisms, and DJG at her best.
19
Help On The Way > Slipknot > Franklin's Tower
June 10, 1976
Boston Music Hall

So many brilliant ones, but you're missing a real treat if you count this one out. Particularly strong Franklin's but the Slipknot! is brilliant too.
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Comments

Row Jimmy
Sept. 18, 1974
Parc des Expositions

Smooth and mysterious, with lots of great slide and rhodes soloing. I always find a special trippiness to this song: Not gangbusters psychedelia, but an aqueous otherworldliness that this version captures nicely.
Smokestack Lightnin'
March 18, 1967
Winterland Arena

Brilliant and perfect Pig on this one. Apparently they opened for Chuck Berry, then played a second set after him. Any heads out there know what he thought of them and their take on his music?
Alligator
Sept. 3, 1967
Dance Hall

Unrelenting hurricane. A strong dose.
Viola Lee Blues
Sept. 3, 1967
Dance Hall

Easy to overlook the '67 Dead with so many great years after. Don't make such an error, cause they're just bursting with power. Real mind-blowing work on this VLB. Enjoy.
Bird Song
Nov. 17, 1972
Century II Convention Hall

More love needed for this sweet beauty. Elegant yet powerful - a real treat. I often wonder why such a beautiful song with obvious jam potential was mothballed for so long during some peak years. Any ideas?
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