headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+49667


Submissions

4
Greatest Story Ever Told
March 27, 1972
Academy of Music

The new SBD's are crystal clear, with everyone audible. Whoever that Billy guy is could sure play some goddamned drums. He's solid gold on this one.
4
Black Throated Wind
March 27, 1972
Academy of Music

Charged up and triumphant. The whole week of shows before Europe is killer. Thanks go to C. Miller for the great archive versions.
4
Playin' In The Band
March 25, 1972
Academy of Music

Key moment in transforming PITB into a cosmic monster. 9.5 minutes of gooey goodness here. C.Miller's version is the best. Dig in boys.
8
Not Fade Away
March 23, 1972
Academy of Music

The outro might be the three most intensely energetic minutes of GD music ever. The first part rocks too. Why not here yet? This show is a goldmine.
6
Me and Bobby McGee
March 23, 1972
Academy of Music

Now I know a lot of you don't dig this song, but goddamn they pour it on for this one. Great Jerry filagree backing the passionate vox. Listen to the

Comments

Row Jimmy
Sept. 18, 1974
Parc des Expositions

Smooth and mysterious, with lots of great slide and rhodes soloing. I always find a special trippiness to this song: Not gangbusters psychedelia, but an aqueous otherworldliness that this version captures nicely.
Smokestack Lightnin'
March 18, 1967
Winterland Arena

Brilliant and perfect Pig on this one. Apparently they opened for Chuck Berry, then played a second set after him. Any heads out there know what he thought of them and their take on his music?
Alligator
Sept. 3, 1967
Dance Hall

Unrelenting hurricane. A strong dose.
Viola Lee Blues
Sept. 3, 1967
Dance Hall

Easy to overlook the '67 Dead with so many great years after. Don't make such an error, cause they're just bursting with power. Real mind-blowing work on this VLB. Enjoy.
Bird Song
Nov. 17, 1972
Century II Convention Hall

More love needed for this sweet beauty. Elegant yet powerful - a real treat. I often wonder why such a beautiful song with obvious jam potential was mothballed for so long during some peak years. Any ideas?