headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49667


Submissions

5
Mama Tried
May 15, 1970
Fillmore East (Late Show)

With the NRPS and ridiculously perfect. Perfect vocals and Jerry's '70 pedal steel sound. Amazing.
6
Good Morning Little Schoolgirl
May 14, 1970
Merramec Community College

Tight version, excellent Pig harp solo, then Jerry on bottle neck? Is that a slide? It's freakin' awesome, and the strong pulse makes it excellent.
4
Good Lovin'
May 14, 1970
Merramec Community College

Aight, we're going to just big up this whole show. This is delicious eat-me goo. Damn. May '70 is prime love. Dig the great recording too.
4
High Time
May 14, 1970
Merramec Community College

The vocals throughout this show are sublime. This is the era of three-part harmony. They were just so fresh, and every moment is a treat. Enjoy.
3
China Cat Sunflower -> I Know You Rider
May 14, 1970
Merramec Community College

Crystal clear version, not sure why it's been overlooked. Beautiful vocals, great recording, indicative of the transition sound of the era.
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Comments

Row Jimmy
Sept. 18, 1974
Parc des Expositions

Smooth and mysterious, with lots of great slide and rhodes soloing. I always find a special trippiness to this song: Not gangbusters psychedelia, but an aqueous otherworldliness that this version captures nicely.
Smokestack Lightnin'
March 18, 1967
Winterland Arena

Brilliant and perfect Pig on this one. Apparently they opened for Chuck Berry, then played a second set after him. Any heads out there know what he thought of them and their take on his music?
Alligator
Sept. 3, 1967
Dance Hall

Unrelenting hurricane. A strong dose.
Viola Lee Blues
Sept. 3, 1967
Dance Hall

Easy to overlook the '67 Dead with so many great years after. Don't make such an error, cause they're just bursting with power. Real mind-blowing work on this VLB. Enjoy.
Bird Song
Nov. 17, 1972
Century II Convention Hall

More love needed for this sweet beauty. Elegant yet powerful - a real treat. I often wonder why such a beautiful song with obvious jam potential was mothballed for so long during some peak years. Any ideas?
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