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find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+48136


Submissions

1
Jack Straw
March 22, 1972
Academy of Music

Perfect.
1
Me and Bobby McGee
March 22, 1972
Academy of Music

Billy's high in the mix, and he drives. A perfect snapshot, with Bobby's sweet young voice in perfect form and a solid driven pulse throughout.
2
Mister Charlie
March 22, 1972
Academy of Music

High-voltage and up tempo shuffle. Great sounding C. Miller cleanup.
3
Goin' Down The Road Feelin' Bad
March 21, 1972
Academy of Music

They push the energy up and up and up. Special transition into OMSN. An all-round high voltage jamming show. Underrated.
5
Big Railroad Blues
March 21, 1972
Academy of Music

High energy, shitkickingly good. The energy in this is off the charts.
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Comments

St. Stephen
Feb. 27, 1977
Robertson Gym, UC Santa Barbara

The 'bell-ringing' chimes section of the last solo before the out-chorus is top notch, but this one otherwise drags a bit to start.
The Music Never Stopped
Feb. 27, 1977
Robertson Gym, UC Santa Barbara

This should be higher. Jerry pushes it harder and harder, never quite tipping it over to the breaking point. The crowd got a sweet treat here. Donna's in tune and well mixed, harmonizing nicely, and the Devils are just perfectly octopusical.
Scarlet Begonias
Feb. 27, 1977
Robertson Gym, UC Santa Barbara

A beacon, signalling to all who are ready to receive it: This is the '77 Dead. Simply a perfect, beautiful and deep performance of a song that grooves and grooves and grooves, but that also has a bit of wisdom to it too. "Once in a while...."
Good Lovin'
Feb. 27, 1977
Robertson Gym, UC Santa Barbara

Y'all got to hear this in context. They were still just bringing it out and re-crafting it after the Pigpen era. It wasn't the staple it became of 80s and 90s Dead, but probably seemed like a novelty for the old heads at the time. In any case, it rocks, and Donna sounds sweet behind Bobby's confident swagger.
Eyes Of The World
Feb. 26, 1977
Swing Auditorium

Right off the bat Jerry just sparkles. Slithery solo lines announce that this will take you there. Nice to here Bobby in the mix too. Agreed, this has a mellowness to it, maybe from Phil hanging back on the beat. Feels like a few clicks slower than the cokey versions from later in the year. Donna's light touch works in nicely for an added treat, and Phil's solo gives me blissed-out shivers, recalling my time in The Zone.
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