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Carrion_Crow

Stealth Head

+49667


Submissions

7
Around and Around
Sept. 26, 1972
Stanley Theatre

Usually a toss-off for me, and maybe it's Chuck Berry's passing that makes me think of it, but this version kicks serious ass. Deliberate and strong.
10
Bird Song
Sept. 26, 1972
Stanley Theatre

Crisp, articulate, deliberate. This is as strong a statement about what this song could be in '72 as I know. Airplay levels of concision.
7
Cold Rain and Snow
Sept. 26, 1972
Stanley Theatre

Always loved this one early in the first set, 'cause it meant the boys meant business. This one has a loose, comfortable sound, but with high energy.
8
Bertha
Sept. 24, 1972
Palace Theatre

Masterclass from the Philzone here. He tears this one up.
9
Loser
Sept. 24, 1972
Palace Theatre

Driven version. Purposeful, biting, and strong, with a high-tension wire energy. They meant business.

Comments

Eyes Of The World
June 9, 1976
Boston Music Hall

Any doubt at the time that Mickey coming back was for the good must have quickly evaporated. The Devils just kill it here with their incredible energy and groupmind. Great solos, my favorite Eyes from '76.
Crazy Fingers
July 13, 1976
Orpheum Theatre

Comes up from the side and pulls you out of your body up somewhere near those cloud hands he's singing about. One of the Dead's greatest compositions played here to beautiful effect.
Playin' In The Band
Feb. 24, 1974
Winterland Arena

Magnificent musicality throughout. Jerry and Keith at about 11:00 go into some wild modal extraterritoriality. It does exactly what I loved about PITB as a 1st set closer, transforming the show from a set of (great) songs into the long, the strange, and the beautiful.
Candyman
Feb. 24, 1974
Winterland Arena

Really really beautiful. Who's that on the smokey backup vocals?
Terrapin Station
May 17, 1977
Memorial Coliseum

Matter of taste, but this one never fully lifts off for me. Much prefer 22 Jan. '78 for serious face meltage.