headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49707


Submissions

9
Not Fade Away
July 17, 1976
Orpheum Theatre

Smoldering hot and long jam capping a great 2nd set. The kind of jam you want to go on forever.
2
Beat it on Down The Line
Oct. 21, 1971
Auditorium Theatre

Listen in and hear exactly where Jerry's fingers achieve terminal velocity. Keith's first shows have manic wild energy, lots of fun.
7
The Other One
Oct. 19, 1971
Northrop Auditorium, U. of Minn.

Hard charging power here in 24 minutes of explosive dark matter. It's a massive oversight that this show hasn't been more widely appreciated.
7
Brokedown Palace
Oct. 19, 1971
Northrop Auditorium, U. of Minn.

Stunning. Beautiful harmonies, strong pulse, Keith roars in like they know in advance what he brings. Show needs more love.
2
Playin' In The Band
Oct. 19, 1971
Northrop Auditorium, U. of Minn.

Massive transitional masterpiece. 1st with Keith, and he's the missing ingredient that tips PiTB over the edge into its full glory. Great mix.
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Comments

Not Fade Away
May 8, 1977
Barton Hall - Cornell University

Agreed with Whiskeyclone: It all comes together nicely here.
St. Stephen
May 8, 1977
Barton Hall - Cornell University

Damned good post-hiatus Steven, but the best? I just can't see it, not that 'best' is ever objective. More energetic would be 22 Jan '78 (hot stuff!), but for my stolen face I'd say any '69 Dark Star>Steven>The Eleven is as close to the Dead's ultimate essence as anything. Also check out 12-13 Oct. '68 for some phantasmogoric psychetropozebraosity straight from Mars that can yank you out of '77 and slingshot you into the prima materia.
Deal
May 8, 1977
Barton Hall - Cornell University

Ok, I'm a big pre-hiatus fan and all, but this is just a damned fine version. No question, Barton is a great show.
Morning Dew
Jan. 17, 1968
Carousel Ballroom

Rippingly good. Jerry's solos and vocals over the emerging '68 sound just blow this one over the top.
Dark Star
Dec. 18, 1973
Curtis Hixon Convention Hall

Really beautiful version, with a unique, but short MLB 'round about 8:00 or so. So many different lyrical and rhythmical evolutions throughout, and a glorious trip into the unknown realms incorporating a blown speaker in what 15 years later might be called a midi-jam.
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