headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49707


Submissions

2
Playin' In The Band
Aug. 26, 1971
Gaelic Park

At risk of putting all '71 up here. Tell me to stop if too much! I just love the twangy country versions, knowing the evolution in store for it.
12
Wharf Rat
Aug. 23, 1971
Auditorium Theatre

Extremely powerful. Strong vocals, massive sound, tremendous jam, great mix. Coming off 30 minutes of TOO like a parachute from the ionosphere.
3
Bird Song
Aug. 23, 1971
Auditorium Theatre

Intricate zigzagging solo work from Jerry, tight ensemble playing. Doesn't ever "soar" like some of them, but more exploratory and compelling.
3
Casey Jones
Aug. 23, 1971
Auditorium Theatre

They announce the set-break, then decide to blow out the tubes on this one, capping one of the best 1st sets of 1971.
4
Loser
Aug. 23, 1971
Auditorium Theatre

Snarling guitar solo and great organ sound in an excellently mixed (Bobby audible always a plus) SBD. The whole first set is sweet heady goodness.
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Comments

Not Fade Away
May 8, 1977
Barton Hall - Cornell University

Agreed with Whiskeyclone: It all comes together nicely here.
St. Stephen
May 8, 1977
Barton Hall - Cornell University

Damned good post-hiatus Steven, but the best? I just can't see it, not that 'best' is ever objective. More energetic would be 22 Jan '78 (hot stuff!), but for my stolen face I'd say any '69 Dark Star>Steven>The Eleven is as close to the Dead's ultimate essence as anything. Also check out 12-13 Oct. '68 for some phantasmogoric psychetropozebraosity straight from Mars that can yank you out of '77 and slingshot you into the prima materia.
Deal
May 8, 1977
Barton Hall - Cornell University

Ok, I'm a big pre-hiatus fan and all, but this is just a damned fine version. No question, Barton is a great show.
Morning Dew
Jan. 17, 1968
Carousel Ballroom

Rippingly good. Jerry's solos and vocals over the emerging '68 sound just blow this one over the top.
Dark Star
Dec. 18, 1973
Curtis Hixon Convention Hall

Really beautiful version, with a unique, but short MLB 'round about 8:00 or so. So many different lyrical and rhythmical evolutions throughout, and a glorious trip into the unknown realms incorporating a blown speaker in what 15 years later might be called a midi-jam.
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