headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+49742


Submissions

12
Loser
Dec. 10, 1971
Fox Theatre

A triumphant, anthemic version that shows another, powerful side to it. Great piano work gives it a nice flavor.
8
Goin' Down The Road Feelin' Bad
Dec. 14, 1971
Hill Auditorium

Just transcendentally perfect. The whole set from Cryptical on is monumental '71 headiness.
11
Playin' In The Band
Dec. 14, 1971
Hill Auditorium

About here Playin' starts stretching out. Only 7 min long, but there's a lot of charge here: Listen to all of them thinking "let's take this furthur".
13
Black Peter
Dec. 14, 1971
Hill Auditorium

A little more love for the early ones? A strong and powerful version that never loses focus. Beautiful.
10
Truckin'
Dec. 14, 1971
Hill Auditorium

Bristling hot show opener shows how they meant business. Dec. '71 is special transition time and this one pins you to the wall with energy.
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Comments

Not Fade Away
May 8, 1977
Barton Hall - Cornell University

Agreed with Whiskeyclone: It all comes together nicely here.
St. Stephen
May 8, 1977
Barton Hall - Cornell University

Damned good post-hiatus Steven, but the best? I just can't see it, not that 'best' is ever objective. More energetic would be 22 Jan '78 (hot stuff!), but for my stolen face I'd say any '69 Dark Star>Steven>The Eleven is as close to the Dead's ultimate essence as anything. Also check out 12-13 Oct. '68 for some phantasmogoric psychetropozebraosity straight from Mars that can yank you out of '77 and slingshot you into the prima materia.
Deal
May 8, 1977
Barton Hall - Cornell University

Ok, I'm a big pre-hiatus fan and all, but this is just a damned fine version. No question, Barton is a great show.
Morning Dew
Jan. 17, 1968
Carousel Ballroom

Rippingly good. Jerry's solos and vocals over the emerging '68 sound just blow this one over the top.
Dark Star
Dec. 18, 1973
Curtis Hixon Convention Hall

Really beautiful version, with a unique, but short MLB 'round about 8:00 or so. So many different lyrical and rhythmical evolutions throughout, and a glorious trip into the unknown realms incorporating a blown speaker in what 15 years later might be called a midi-jam.
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