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Carrion_Crow

Stealth Head

+48136


Submissions

4
Scarlet Begonias
June 26, 1976
Auditorium Theatre

From Phil's opening swoops to Jerry's passion-vox, and pristine soloing, this is a killer stand alone SB. Surprised it's not here yet.
1
Looks Like Rain
June 26, 1976
Auditorium Theatre

No doubt there's a little schmaltz factor on the lyrics and all, but Bobby and Donna just wash over you on this one like a wave of lovely heartache.
1
Tennessee Jed
June 26, 1976
Auditorium Theatre

Rabble-rousing banger here. Jerry kicks it up and up and the crowd just loves it.
2
The Wheel
June 23, 1976
Tower Theatre

Totally overlooked. One of the sweetest of the year. Rolls in at almost 6 min, closing a beaut set. I'm setting this to auto replay now. Check it out!
2
Cosmic Charlie
June 23, 1976
Tower Theatre

Overlooked! Comes out of a smokin' LIG and has that smokey, slinky, silky smolder of the best of '76.

Comments

New Potato Caboose
Jan. 27, 1967
Avalon Ballroom

Between the Human Be-In two weeks earlier and this blisteringly hot announcement to the "scene" the Dead seemed to go from pop psychedelica to the Danger Dead, with a swaggering, no prisoners, no bullshit muscle behind their prankster games. The sound quality here leaves some to be desired, and it fades out into VLB, but it's more than worth a listen. It'll steal your freakin' face, is what it'll do.
Viola Lee Blues
Jan. 27, 1967
Avalon Ballroom

By far the furthest jam and meltdown on any Viola thus far in the recorded history. The tape speed is a bit dubious, but the jam is an absolute must.
Good Morning Little Schoolgirl
Jan. 14, 1967
Polo Field, Golden Gate Park

Unmistakeably Charles Lloyd. Pretty hot flute, but he's no Pigpen on the rap.
Morning Dew
Jan. 14, 1967
Polo Field, Golden Gate Park

Until further notice, this is the first one. I admit it sounds pretty polished and full of gong, but who cares! It's brilliant, Jerry's vocals are sweet, and the jam has all the power of the Dew we know. Love it.
Dancin' in the Streets
Dec. 1, 1966
Studio demo

Jerry's tone and ideas - he chordal jamming as opposed to his single-note lines - remind me of the work that he did with Jefferson Airplane at right about this time while recording Surrealistic Pillow. Plus, and it's a big plus, this jam goes into a whole different place from the others of the time. For a bit it's a whirling Dervish or Algerian Nouba sound before Bobby cuts back in with the vocals, then a four-on-the-floor outro. Great stuff.