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Carrion_Crow

Stealth Head

+48136


Submissions

1
Samson and Delilah
June 22, 1976
Tower Theatre

These early ones have such brilliant swagger, you can really hear the gospel power to them
6
The Wheel
June 22, 1976
Tower Theatre

Such floating beauty, you can feel the tires humming down the highway. Part of a magic Playin' sammy too. Everything about this is brilliant.
3
Cassidy
June 22, 1976
Tower Theatre

Just exactly perfect here. Bobby and Donna were perfection in '76, The little AUD patch doesn't hurt at all. Jerry and the Devils tear it up.
2
Looks Like Rain
June 22, 1976
Tower Theatre

Donna and Bobby in perfect sync, beautifully harmonizing, and backed up with brilliant Jerry fretwork. '76 was Donna's best year by far.
4
The Music Never Stopped
June 21, 1976
Tower Theater

Short set opener, but if there's one where Donna saves it all with breathy ahhhs and mmmms, it's this one. Gentle whispers around 03:30.
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Comments

New Potato Caboose
Jan. 27, 1967
Avalon Ballroom

Between the Human Be-In two weeks earlier and this blisteringly hot announcement to the "scene" the Dead seemed to go from pop psychedelica to the Danger Dead, with a swaggering, no prisoners, no bullshit muscle behind their prankster games. The sound quality here leaves some to be desired, and it fades out into VLB, but it's more than worth a listen. It'll steal your freakin' face, is what it'll do.
Viola Lee Blues
Jan. 27, 1967
Avalon Ballroom

By far the furthest jam and meltdown on any Viola thus far in the recorded history. The tape speed is a bit dubious, but the jam is an absolute must.
Good Morning Little Schoolgirl
Jan. 14, 1967
Polo Field, Golden Gate Park

Unmistakeably Charles Lloyd. Pretty hot flute, but he's no Pigpen on the rap.
Morning Dew
Jan. 14, 1967
Polo Field, Golden Gate Park

Until further notice, this is the first one. I admit it sounds pretty polished and full of gong, but who cares! It's brilliant, Jerry's vocals are sweet, and the jam has all the power of the Dew we know. Love it.
Dancin' in the Streets
Dec. 1, 1966
Studio demo

Jerry's tone and ideas - he chordal jamming as opposed to his single-note lines - remind me of the work that he did with Jefferson Airplane at right about this time while recording Surrealistic Pillow. Plus, and it's a big plus, this jam goes into a whole different place from the others of the time. For a bit it's a whirling Dervish or Algerian Nouba sound before Bobby cuts back in with the vocals, then a four-on-the-floor outro. Great stuff.
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