headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+48136


Submissions

2
Deal
Dec. 11, 1972
Winterland Arena

Shredding goodness, coming late in the set after a killer Star>Stella. Great show all around.
2
Loser
Dec. 11, 1972
Winterland Arena

Solid powerful version where they start gelling perfectly for the set.
2
Sugar Magnolia
Dec. 10, 1972
Winterland Arena

Uptempo, intense, driving statement of holy-fuckiyana rock'n'roll. Not one I usually +1, but this is worth it. The SSDD is dynamite.
3
Truckin'
Dec. 10, 1972
Winterland Arena

Hard-charging diesel burner here. Bobby's nice and high in the mix, so a nice treat. The jam into TOO is brilliant.
4
China Cat Sunflower -> I Know You Rider
Dec. 10, 1972
Winterland Arena

Why no love for this great show? It isn't one of the top 10 for the year - but it's '72 and they're flowing just exactly perfect.
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Comments

New Potato Caboose
Jan. 27, 1967
Avalon Ballroom

Between the Human Be-In two weeks earlier and this blisteringly hot announcement to the "scene" the Dead seemed to go from pop psychedelica to the Danger Dead, with a swaggering, no prisoners, no bullshit muscle behind their prankster games. The sound quality here leaves some to be desired, and it fades out into VLB, but it's more than worth a listen. It'll steal your freakin' face, is what it'll do.
Viola Lee Blues
Jan. 27, 1967
Avalon Ballroom

By far the furthest jam and meltdown on any Viola thus far in the recorded history. The tape speed is a bit dubious, but the jam is an absolute must.
Good Morning Little Schoolgirl
Jan. 14, 1967
Polo Field, Golden Gate Park

Unmistakeably Charles Lloyd. Pretty hot flute, but he's no Pigpen on the rap.
Morning Dew
Jan. 14, 1967
Polo Field, Golden Gate Park

Until further notice, this is the first one. I admit it sounds pretty polished and full of gong, but who cares! It's brilliant, Jerry's vocals are sweet, and the jam has all the power of the Dew we know. Love it.
Dancin' in the Streets
Dec. 1, 1966
Studio demo

Jerry's tone and ideas - he chordal jamming as opposed to his single-note lines - remind me of the work that he did with Jefferson Airplane at right about this time while recording Surrealistic Pillow. Plus, and it's a big plus, this jam goes into a whole different place from the others of the time. For a bit it's a whirling Dervish or Algerian Nouba sound before Bobby cuts back in with the vocals, then a four-on-the-floor outro. Great stuff.
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