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Carrion_Crow

Stealth Head

+48136


Submissions

4
Bertha
Dec. 10, 1972
Winterland Arena

A hot rocker with Phil high in the mix. This is a "get up and dance" version with everyone clearly having a blast.
2
Casey Jones
Dec. 10, 1972
Winterland Arena

Rollicking and hard-charging good time set closer after a brain-melting Playin'.
2
Black Throated Wind
Nov. 26, 1972
San Antonio Civic Auditorium

In spite of muffled sound in need of a cleanup, this one has all the swagger and triumph of the best of '72. BTW fans take heed!
5
China Cat Sunflower -> I Know You Rider
Nov. 24, 1972
Dallas Memorial Auditorium

Surprised not to see this here. The trans has extra oomph to it and the band sails along in perfect sync. Great fun.
4
Brown Eyed Women
Nov. 24, 1972
Dallas Memorial Auditorium

Pristine and fun. There's a cogent, almost album-tight quality to it.
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Comments

New Potato Caboose
Jan. 27, 1967
Avalon Ballroom

Between the Human Be-In two weeks earlier and this blisteringly hot announcement to the "scene" the Dead seemed to go from pop psychedelica to the Danger Dead, with a swaggering, no prisoners, no bullshit muscle behind their prankster games. The sound quality here leaves some to be desired, and it fades out into VLB, but it's more than worth a listen. It'll steal your freakin' face, is what it'll do.
Viola Lee Blues
Jan. 27, 1967
Avalon Ballroom

By far the furthest jam and meltdown on any Viola thus far in the recorded history. The tape speed is a bit dubious, but the jam is an absolute must.
Good Morning Little Schoolgirl
Jan. 14, 1967
Polo Field, Golden Gate Park

Unmistakeably Charles Lloyd. Pretty hot flute, but he's no Pigpen on the rap.
Morning Dew
Jan. 14, 1967
Polo Field, Golden Gate Park

Until further notice, this is the first one. I admit it sounds pretty polished and full of gong, but who cares! It's brilliant, Jerry's vocals are sweet, and the jam has all the power of the Dew we know. Love it.
Dancin' in the Streets
Dec. 1, 1966
Studio demo

Jerry's tone and ideas - he chordal jamming as opposed to his single-note lines - remind me of the work that he did with Jefferson Airplane at right about this time while recording Surrealistic Pillow. Plus, and it's a big plus, this jam goes into a whole different place from the others of the time. For a bit it's a whirling Dervish or Algerian Nouba sound before Bobby cuts back in with the vocals, then a four-on-the-floor outro. Great stuff.
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