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Carrion_Crow

Stealth Head

+48136


Submissions

2
Nobody's Fault But Mine
Oct. 27, 1972
Veterans' Memorial Hall

Jam starts at around 05:45, never fully forms. Am I crazy? This sounds like NFBM and it continues about 3min into TOO. Very very cool stuff here.
3
Greatest Story Ever Told
Oct. 27, 1972
Veterans' Memorial Hall

Electrifying set opener (I think) that shows off that St. St. connection brilliantly.
1
Me and Bobby McGee
Oct. 27, 1972
Veterans' Memorial Hall

Jerry's backup vocals give this one sweet emotion. Chronically under-appreciated song.
4
China Cat Sunflower -> I Know You Rider
Oct. 26, 1972
Music Hall

Tight, nice CC. Seems like 1st moment of the set the band is firing on all cylinders. Trans. stretches to great IKYR.
4
Bird Song
Oct. 26, 1972
Music Hall

Compelling version with Jerry exploring new ideas. It doesn't quite soar like other Fall '72s, but still stretches out and worth a close listen.
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Comments

New Potato Caboose
Jan. 27, 1967
Avalon Ballroom

Between the Human Be-In two weeks earlier and this blisteringly hot announcement to the "scene" the Dead seemed to go from pop psychedelica to the Danger Dead, with a swaggering, no prisoners, no bullshit muscle behind their prankster games. The sound quality here leaves some to be desired, and it fades out into VLB, but it's more than worth a listen. It'll steal your freakin' face, is what it'll do.
Viola Lee Blues
Jan. 27, 1967
Avalon Ballroom

By far the furthest jam and meltdown on any Viola thus far in the recorded history. The tape speed is a bit dubious, but the jam is an absolute must.
Good Morning Little Schoolgirl
Jan. 14, 1967
Polo Field, Golden Gate Park

Unmistakeably Charles Lloyd. Pretty hot flute, but he's no Pigpen on the rap.
Morning Dew
Jan. 14, 1967
Polo Field, Golden Gate Park

Until further notice, this is the first one. I admit it sounds pretty polished and full of gong, but who cares! It's brilliant, Jerry's vocals are sweet, and the jam has all the power of the Dew we know. Love it.
Dancin' in the Streets
Dec. 1, 1966
Studio demo

Jerry's tone and ideas - he chordal jamming as opposed to his single-note lines - remind me of the work that he did with Jefferson Airplane at right about this time while recording Surrealistic Pillow. Plus, and it's a big plus, this jam goes into a whole different place from the others of the time. For a bit it's a whirling Dervish or Algerian Nouba sound before Bobby cuts back in with the vocals, then a four-on-the-floor outro. Great stuff.
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