headyversion

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Carrion_Crow

Stealth Head

+48136


Submissions

2
Sugaree
Aug. 24, 1972
Berkeley Community Theatre

Sweet rocker from this magical week of Dead perfection. Sleek and clean, this is a beaut of a version.
6
Stella Blue
Aug. 22, 1972
Berkeley Community Theatre

How in this magic week did this powerhouse version with perfect vocals not yet get voted up? Give a spin, you aren't going to regret it.
4
Friend of the Devil
Aug. 22, 1972
Berkeley Community Theatre

Perfection. They could do no wrong this week, and this FOTD is no exception. Perfection.
4
Loser
Aug. 22, 1972
Berkeley Community Theatre

Tight ensemble playing with perfect sound. This is one of the great shows of the year.
7
Feelin' Groovy Jam
May 19, 1974
Portland Memorial Coliseum

Already listed as the CC>IKYR, but this jam stands on its own. One of the tightest from start to finish.
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Comments

New Potato Caboose
Jan. 27, 1967
Avalon Ballroom

Between the Human Be-In two weeks earlier and this blisteringly hot announcement to the "scene" the Dead seemed to go from pop psychedelica to the Danger Dead, with a swaggering, no prisoners, no bullshit muscle behind their prankster games. The sound quality here leaves some to be desired, and it fades out into VLB, but it's more than worth a listen. It'll steal your freakin' face, is what it'll do.
Viola Lee Blues
Jan. 27, 1967
Avalon Ballroom

By far the furthest jam and meltdown on any Viola thus far in the recorded history. The tape speed is a bit dubious, but the jam is an absolute must.
Good Morning Little Schoolgirl
Jan. 14, 1967
Polo Field, Golden Gate Park

Unmistakeably Charles Lloyd. Pretty hot flute, but he's no Pigpen on the rap.
Morning Dew
Jan. 14, 1967
Polo Field, Golden Gate Park

Until further notice, this is the first one. I admit it sounds pretty polished and full of gong, but who cares! It's brilliant, Jerry's vocals are sweet, and the jam has all the power of the Dew we know. Love it.
Dancin' in the Streets
Dec. 1, 1966
Studio demo

Jerry's tone and ideas - he chordal jamming as opposed to his single-note lines - remind me of the work that he did with Jefferson Airplane at right about this time while recording Surrealistic Pillow. Plus, and it's a big plus, this jam goes into a whole different place from the others of the time. For a bit it's a whirling Dervish or Algerian Nouba sound before Bobby cuts back in with the vocals, then a four-on-the-floor outro. Great stuff.
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