headyversion

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Carrion_Crow

Stealth Head

+48136


Submissions

5
China Cat Sunflower -> I Know You Rider
July 21, 1972
Paramount Northwest Theater

Unfortunate cut in CC, but the Rider is tremendous. Needs a cleanup bad - Paging Mr. Miller, help out please!
2
Black Throated Wind
July 21, 1972
Paramount Northwest Theater

Get past murk with good headphones and you find a gem: Bobby's vox perfect, the arc powerful, Jer and Keith possessed.
2
Mississippi Halfstep Uptown Toodeloo
July 18, 1972
Rossevelt Stadium

Uptempo, and with a hard swagger, with a beaut of a Rio section. 2nd ever, sounds like they're still settling on the vibe.
1
Black Throated Wind
July 18, 1972
Rossevelt Stadium

Solid, emotional version. Bobby was on.
10
Goin' Down The Road Feelin' Bad
May 25, 1972
Strand Lyceum

From blisteringly hot, into a sweet-and-light outro > OMSN, turning on a dime. Great fun.
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Comments

New Potato Caboose
Jan. 27, 1967
Avalon Ballroom

Between the Human Be-In two weeks earlier and this blisteringly hot announcement to the "scene" the Dead seemed to go from pop psychedelica to the Danger Dead, with a swaggering, no prisoners, no bullshit muscle behind their prankster games. The sound quality here leaves some to be desired, and it fades out into VLB, but it's more than worth a listen. It'll steal your freakin' face, is what it'll do.
Viola Lee Blues
Jan. 27, 1967
Avalon Ballroom

By far the furthest jam and meltdown on any Viola thus far in the recorded history. The tape speed is a bit dubious, but the jam is an absolute must.
Good Morning Little Schoolgirl
Jan. 14, 1967
Polo Field, Golden Gate Park

Unmistakeably Charles Lloyd. Pretty hot flute, but he's no Pigpen on the rap.
Morning Dew
Jan. 14, 1967
Polo Field, Golden Gate Park

Until further notice, this is the first one. I admit it sounds pretty polished and full of gong, but who cares! It's brilliant, Jerry's vocals are sweet, and the jam has all the power of the Dew we know. Love it.
Dancin' in the Streets
Dec. 1, 1966
Studio demo

Jerry's tone and ideas - he chordal jamming as opposed to his single-note lines - remind me of the work that he did with Jefferson Airplane at right about this time while recording Surrealistic Pillow. Plus, and it's a big plus, this jam goes into a whole different place from the others of the time. For a bit it's a whirling Dervish or Algerian Nouba sound before Bobby cuts back in with the vocals, then a four-on-the-floor outro. Great stuff.
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