headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+48136


Submissions

8
Mister Charlie
May 13, 1972
Lille Fairgrounds

Distinctly slower, with a greasier funk vibe. Surprised it isn't here. Different from the others and lots of fun.
13
Tennessee Jed
April 26, 1972
Jahrhunderthalle

Because every song in this show deserves to be here. This is a solid rocking version, just excellent.
14
El Paso
April 26, 1972
Jahrhunderthalle

One of the perfect ones, and one of the last songs from this epic show to be posted here: A near perfect show from '72, one of the best.
11
Ramble On Rose
April 14, 1972
Tivolis Koncertsal

Jer: "This is a new song... and it goes exactly like this". Pigpen: "No it don't." Either way, it kicks like the good stuff.
7
Playin' In The Band
March 28, 1972
Academy of Music

Shocked it isn't here yet. Did you stop at Donna's beastly howl? If you did, you missed Jerry rip spacetime. Listen up and dig this Playin', really.
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Comments

New Potato Caboose
Jan. 27, 1967
Avalon Ballroom

Between the Human Be-In two weeks earlier and this blisteringly hot announcement to the "scene" the Dead seemed to go from pop psychedelica to the Danger Dead, with a swaggering, no prisoners, no bullshit muscle behind their prankster games. The sound quality here leaves some to be desired, and it fades out into VLB, but it's more than worth a listen. It'll steal your freakin' face, is what it'll do.
Viola Lee Blues
Jan. 27, 1967
Avalon Ballroom

By far the furthest jam and meltdown on any Viola thus far in the recorded history. The tape speed is a bit dubious, but the jam is an absolute must.
Good Morning Little Schoolgirl
Jan. 14, 1967
Polo Field, Golden Gate Park

Unmistakeably Charles Lloyd. Pretty hot flute, but he's no Pigpen on the rap.
Morning Dew
Jan. 14, 1967
Polo Field, Golden Gate Park

Until further notice, this is the first one. I admit it sounds pretty polished and full of gong, but who cares! It's brilliant, Jerry's vocals are sweet, and the jam has all the power of the Dew we know. Love it.
Dancin' in the Streets
Dec. 1, 1966
Studio demo

Jerry's tone and ideas - he chordal jamming as opposed to his single-note lines - remind me of the work that he did with Jefferson Airplane at right about this time while recording Surrealistic Pillow. Plus, and it's a big plus, this jam goes into a whole different place from the others of the time. For a bit it's a whirling Dervish or Algerian Nouba sound before Bobby cuts back in with the vocals, then a four-on-the-floor outro. Great stuff.
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