headyversion

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Carrion_Crow

Stealth Head

+48136


Submissions

3
Big Railroad Blues
Nov. 15, 1972
Oklahoma City Music Hall

Turns on a dime from the cerebral extended PiTB jam into a coal-burnin' tight jam with force and power. Hot stuff showing off their limitless range.
7
Box of Rain
Nov. 15, 1972
Oklahoma City Music Hall

Having held "sing something Phil" banners, I always had a soft spot for BoR. This one is tightly played and powerfuly sung. Good stuff!
3
Uncle John's Band
Nov. 14, 1972
Oklahoma City Music Hall

Hard rockin' version coming after a deliriously epic 2nd set suite. Crunchy and powerful.
8
He's Gone
Nov. 14, 1972
Oklahoma City Music Hall

A long, smooth outro allows for a little musical discussion whether it's going to TOO or Truckin'. Great stuff that must have stolen many faces.
5
China Cat Sunflower -> I Know You Rider
Nov. 14, 1972
Oklahoma City Music Hall

This CC is so sweet and much longer than others of the era before signaling the >IKYR, with lots of room to stretch out and find the sound.
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Comments

Viola Lee Blues
Dec. 1, 1966
Studio demo

Definitely shows the progress they were making towards the Anthem era of deep deep psychedelic group-mind.
Cold Rain and Snow
Dec. 1, 1966
Studio demo

The dates may be dubious, but the playing isn't. This rocks. Check out Phil throwing bombs, way back in '66.
Good Morning Little Schoolgirl
Nov. 29, 1966
The Matrix

Pretty much a pimp anthem at this point. This one is dirty... and an amazing statement from '66 about where they'd go with Pig in the lead for the next five years.
Early Morning Rain
Nov. 29, 1966
The Matrix

Ultra-rarity and so much fun. What a treat.
Smokestack Lightnin'
Nov. 19, 1966
Fillmore Auditorium

Jerry's metallic tone and Bobby's angular hard-swiping slasher effect turn the jam into a wild industrial ride. Pigpen is of course in perfect form. All in all it's hard to believe this is '66. Good ol' Grateful Dead indeed - with a biting hard edge that shows how they could already turn on a dime from peaceful hippies into a dangerous menacing force at this stage.
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