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Carrion_Crow

Stealth Head

+48136


Submissions

2
Black Throated Wind
Sept. 16, 1972
Boston Music Hall

No bad ones at all from this era, but listen in and you can hear Jerry drive Bobby higher and higher. Great powerful emotive energy.
5
Ramble On Rose
Sept. 15, 1972
Boston Music Hall

Jerry's vocals are rarely stronger. At one point he's growling it out like he's spittin' nails.
9
He's Gone
Sept. 15, 1972
Boston Music Hall

Kicking off a killer 2nd set, with a beautiful outro and a smooth smooth jam.
3
Jack Straw
Sept. 15, 1972
Boston Music Hall

In spite of some tuning problems, this one cooks. This whole set showcases Jerry's fast frets. Great stuff.
2
El Paso
Sept. 15, 1972
Boston Music Hall

Sweet master class on background soloing with Jerry's lickety-split runaway desperado fretwork backing Bobby up.
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Comments

Viola Lee Blues
Dec. 1, 1966
Studio demo

Definitely shows the progress they were making towards the Anthem era of deep deep psychedelic group-mind.
Cold Rain and Snow
Dec. 1, 1966
Studio demo

The dates may be dubious, but the playing isn't. This rocks. Check out Phil throwing bombs, way back in '66.
Good Morning Little Schoolgirl
Nov. 29, 1966
The Matrix

Pretty much a pimp anthem at this point. This one is dirty... and an amazing statement from '66 about where they'd go with Pig in the lead for the next five years.
Early Morning Rain
Nov. 29, 1966
The Matrix

Ultra-rarity and so much fun. What a treat.
Smokestack Lightnin'
Nov. 19, 1966
Fillmore Auditorium

Jerry's metallic tone and Bobby's angular hard-swiping slasher effect turn the jam into a wild industrial ride. Pigpen is of course in perfect form. All in all it's hard to believe this is '66. Good ol' Grateful Dead indeed - with a biting hard edge that shows how they could already turn on a dime from peaceful hippies into a dangerous menacing force at this stage.
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