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Carrion_Crow

Stealth Head

+49707


Submissions

4
Candyman
June 3, 1976
Paramount Theatre

Keith and Donna on this are just wonderful. Strong version all around, but Keith's fillis are just outta sight.
8
Me and My Uncle
Dec. 31, 1971
Winterland Arena

Intensity encapsulated in the middle of a TOO jam outta this world. Here's as good an example of the cowboy psychedelicore Winter '71 as you can find.
3
Me and Bobby McGee
Dec. 15, 1971
Hill Auditorium

A bit faster and carried along with a strong backbeat from Mr. K. makes this one special. Perfect ensemble singing arrangement too.
20
Run Run Rudolph
Dec. 14, 1971
Hill Auditorium

Pigpen, Chuck Berry, Santa Claus, because fuck yeah, that's why.
10
Not Fade Away
Dec. 10, 1971
Fox Theatre

Dec '71 NFA-GDTRFB-NFAs are all powerful statements of the band's essential unity. I love how China Cat peaks out atcha during the jams.

Comments

Playin' In The Band
Sept. 21, 1973
The Spectrum

Savage cut in it tho. Mike Lai's soundboard has the last minute, but the AUD just fades out (tape change?)
Playin' In The Band
Nov. 18, 1972
Hofheinz Pavilion

I come back to this one again and again and just go nuts for it every time.
Good Lovin'
April 17, 1971
Dillon Gym

The immortal Pig Rap. "I gotta bouta dolla and a quarter... You can't buy much for a dolla and a quarter...." And so much more. I agree with Phil (!): This is some of the best Pig out there.
Eyes Of The World
Sept. 12, 1973
William and Mary College Hall

Very hot, very tight, and freakishly good. Perfect transition into a nice Stella, too.
Morning Dew
Sept. 11, 1973
William and Mary College Hall

To fully grok this one, you have got to listen to the Dark Star before it. Phil is totally explosive here, and it comes out of one his most massive solos of the year right before it. Jerry then takes his lead and tears it up in the most completely beautiful way.