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Carrion_Crow

Stealth Head

+49667


Submissions

7
Ramble On Rose
Sept. 15, 1972
Boston Music Hall

Jerry's vocals are rarely stronger. At one point he's growling it out like he's spittin' nails.
10
He's Gone
Sept. 15, 1972
Boston Music Hall

Kicking off a killer 2nd set, with a beautiful outro and a smooth smooth jam.
3
Jack Straw
Sept. 15, 1972
Boston Music Hall

In spite of some tuning problems, this one cooks. This whole set showcases Jerry's fast frets. Great stuff.
2
El Paso
Sept. 15, 1972
Boston Music Hall

Sweet master class on background soloing with Jerry's lickety-split runaway desperado fretwork backing Bobby up.
6
Black Throated Wind
Sept. 15, 1972
Boston Music Hall

This starts with understated, almost hesitant steps, then builds into a towering emotional rage. Its arc fits its words. Great stuff.
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Comments

Playin' In The Band
Sept. 21, 1973
The Spectrum

Savage cut in it tho. Mike Lai's soundboard has the last minute, but the AUD just fades out (tape change?)
Playin' In The Band
Nov. 18, 1972
Hofheinz Pavilion

I come back to this one again and again and just go nuts for it every time.
Good Lovin'
April 17, 1971
Dillon Gym

The immortal Pig Rap. "I gotta bouta dolla and a quarter... You can't buy much for a dolla and a quarter...." And so much more. I agree with Phil (!): This is some of the best Pig out there.
Eyes Of The World
Sept. 12, 1973
William and Mary College Hall

Very hot, very tight, and freakishly good. Perfect transition into a nice Stella, too.
Morning Dew
Sept. 11, 1973
William and Mary College Hall

To fully grok this one, you have got to listen to the Dark Star before it. Phil is totally explosive here, and it comes out of one his most massive solos of the year right before it. Jerry then takes his lead and tears it up in the most completely beautiful way.
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