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Carrion_Crow

Stealth Head

+49742


Submissions

4
Candyman
June 3, 1976
Paramount Theatre

Keith and Donna on this are just wonderful. Strong version all around, but Keith's fillis are just outta sight.
8
Me and My Uncle
Dec. 31, 1971
Winterland Arena

Intensity encapsulated in the middle of a TOO jam outta this world. Here's as good an example of the cowboy psychedelicore Winter '71 as you can find.
3
Me and Bobby McGee
Dec. 15, 1971
Hill Auditorium

A bit faster and carried along with a strong backbeat from Mr. K. makes this one special. Perfect ensemble singing arrangement too.
20
Run Run Rudolph
Dec. 14, 1971
Hill Auditorium

Pigpen, Chuck Berry, Santa Claus, because fuck yeah, that's why.
10
Not Fade Away
Dec. 10, 1971
Fox Theatre

Dec '71 NFA-GDTRFB-NFAs are all powerful statements of the band's essential unity. I love how China Cat peaks out atcha during the jams.

Comments

Bird Song
Feb. 17, 1973
St. Paul Auditorium

Agreed. Loose tightness. Tight looseness. It's a real beauty in a somewhat underrated show.
Eyes Of The World
Feb. 9, 1973
Roscoe Maples Pavilion - Stanford University

Eyes has more complicated chord changes than a lot of the Dead's other work, and it's tough to jam over, but they absolutlely nailed it on its first-ever performance at the start of the amazing year of the Dead, 1973.
Eyes Of The World
Feb. 15, 1973
Dane County Coliseum

2nd performance ever, and it's loose and groovy but doesn't lift-off the way that others of the time do. Goes into a beautiful China Doll, and the whole show is just brilliant brilliant '73 Dead.
Dark Star
Feb. 15, 1973
Dane County Coliseum

This DS starts with clear lyrical beauty from the whole band then moves into spaceyness. Really beautiful.
Jack Straw
Jan. 11, 1979
Nassau Coliseum

"We used to play for acid, now we play for Clive...." Great comment, Bobby. Wow. This is some of the best guitar work. I'm stunned.