headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+48136


Submissions

4
Uncle John's Band
Aug. 21, 1972
Berkeley Community Theater

Brilliant outro and high-energy version, a bit more up-tempo than others from the time. All-round sweet show, overshadowed by other giants of Aug. '72
6
Beat it on Down The Line
Aug. 21, 1972
Berkeley Community Theater

Has one of Jer's longest continuous strings of up-tempo 16th note solo lines (in the changes) I can recall. Wicked fast and right as rain.
3
He's Gone
Aug. 20, 1972
San Jose Civic Auditorium

This version, and the one on the 12th, are just butter. I admit to sometimes not even noticing He's Gone, but this is a high spot for it.
2
Me and Bobby McGee
Aug. 20, 1972
San Jose Civic Auditorium

One of those amazing versions of this underrated song where everyone is blazing along in collective improv to genius effect. Just beautiful.
3
Sugaree
Aug. 20, 1972
San Jose Civic Auditorium

Damn fine swagger on this one, in spite of a murky tape. Show cleans up after a few songs - thanks to C. Miller.
show more submissions

Comments

Beat it on Down The Line
July 16, 1966
Fillmore Auditorium

Bobby's just a baby and he sounds like a demented carny. "Surf punk" doesn't even begin to describe it. I love this so much.
Dancin' in the Streets
July 3, 1966
Fillmore Auditorium

It's incorrectly listed as the first Stealin' track on this link. You can also get to it - and y'all really should - by clicking on the link, "check for other copies", then follow the white rabbit put there by the heroic Charlie Miller for a whole set of other beauties from this show.
New Minglewood Blues
May 19, 1966
Avalon Ballroom

Proof that Bobby didn't start shrieking in the '80s here. They sound so punk-rock, 10 years before that scene hit California. So cool to go all the way back to the beginning. Check out this whole show, for one of the first live recordings of a whole set out there. Thanks Archive!
Hurts Me Too
May 19, 1966
Avalon Ballroom

Pigpen was a fully formed and mature blues singer at this point. The rest of the band is still getting it together, still primal and not fully formed. But Pig... oh man. Pure Pig.
Cold Rain and Snow
March 25, 1966
Trouper's Hall

Apparently Bear was recording this to be played back on mono, so the organ jam would be featured but not so explosive. Whodathunkit? In any case, this is just so fucking brilliant that I want to jump in my time machine and zip back just to be a spectral hallucination vibrating just out of the corner of Billy's eye as he kicks the shit out of this beautiful packed-with-energy annuciato: The Dead are Coming, Here Come the Dead.
show more comments
headyversion loves the dead but is in no way affiliated with The Grateful Dead or affiliated enterprises. find out more >:) >:)