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Carrion_Crow

Stealth Head

+48135


Submissions

1
El Paso
Feb. 27, 1977
Robertson Gym, UC Santa Barbara

Pared down and quiet, but also a tight ball of energy, ready to burst. Seems like this show doesn't get enough love.
2
Feedback
March 17, 1968
Carousel Ballroom

Sounds like they had a big-rig air horns, steam whistles, small caliber rifles and martian submarines: A Symphony of Wrong. Awesome.
1
Alligator
Jan. 1, 1967
Studio Rehearsals

Outtakes from Anthem: '67 comes in hot! The transition from '66 pop is complete. B/B- sound quality though. Worth it.
3
Good Morning Little Schoolgirl
Aug. 1, 1966
Unknown

Filthy. Pig's voice is very clean here. The dates are probably wrong.
1
You Don't Love Me
Aug. 1, 1966
Unknown

Dates are debatable, but the band isn't. Brilliant insert between Schoolgirl sections.
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Comments

Caution
Jan. 8, 1966
Fillmore Auditorium

Rippin' and trippin'. It's messy, wild and reckless.... with an edge-of-chaos intensity that can still blow your mind almost 54 years later. ^^Very cool note there about a possible influence on Tom Waits. No doubt about it, he surely heard the Dead in California in their early years. Cool association.
Can't Come Down
Nov. 3, 1965
Golden State Studios

Bob Dylan's influence on the Dead is evident from the lyrics and delivery of this oldest of the old demos. Harmonica, snarling vocals, proto-punk social commentary of the Highway 61-era. Anyone out there think they started listening to Dylan in the 90s???
Uncle John's Band
Dec. 31, 1976
Cow Palace

The first one in over two years, covering both the hiatus and all of '76. They sound just a wee bit tuckered out in the first moments (this being at leat 4 full hours of music into the night) but they rock the ever-lovin' shit out of it by the end in a 'here comes '77' way that jut slays me.
Help on the Way
Dec. 31, 1976
Cow Palace

Best Help>Slip without Frank out there. Prove me wrong!
Scarlet Begonias
Dec. 31, 1976
Cow Palace

Phil's running counterpoint to Jerry throughout the long jam is a masterclass on its own. Love the deconstruction of the outro theme before the finally land on it and come together like presto! hop! magic. As much as I loved Scarlet>Fire, I treasure the solo Scarlets too.
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