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Carrion_Crow

Stealth Head

+48136


Submissions

9
Loser
Sept. 24, 1972
Palace Theatre

Driven version. Purposeful, biting, and strong, with a high-tension wire energy. They meant business.
2
Pretty Peggy O
Jan. 18, 1978
Stockton Civic Auditorium

Jer sings thrôugh a cold, but the beauty and sweetness shines through. Sounds like he would 10 years later, but with the '78 sound. Full of love.
3
Tennessee Jed
Sept. 19, 1972
Roosevelt Stadium

If you can get past the migraine-inducing AUD, this is one rowdy shitkicker that riles up the fun-loving crowd.
1
One More Saturday Night
Sept. 17, 1972
Baltimore Civic Center

Smokin' hot encore to finish off one brilliant mother of a show. OMSN isn't many folk's fave tune, but this one just rocks hard.
8
Uncle John's Band
Sept. 17, 1972
Baltimore Civic Center

This show has biting hardness throughout, then this seems a bit la-la until the 7/4 parts, and that grit returns with crunching nastiness. Excellent!
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Comments

Scarlet Begonias
Dec. 31, 1976
Cow Palace

Phil's running counterpoint to Jerry throughout the long jam is a masterclass on its own. Love the deconstruction of the outro theme before the finally land on it and come together like presto! hop! magic. As much as I loved Scarlet>Fire, I treasure the solo Scarlets too.
Good Lovin'
Dec. 31, 1976
Cow Palace

That's a mysterious little theme they bring in twice, but it doesn't sound that much like the Samson to me. It seems way too precise to be totally spontaneous, as they all land on it both times without a single note or beat a hair out of place. Maybe they were rehearsing a new song or jam that didn't survive into '77? Cool stuff.
Wharf Rat
Dec. 31, 1976
Cow Palace

The transition in from a brilliant Eyes is a thing of pure beauty. Man, could a good sweet Wharf Rat bring you back in to reality when you needed it most, and here everyone is just whispering and cooing into your ears in just the sweet spot. Check out the gentle Donna tones around 5:30 and tell me that wouldn't put peace into your heart? But then of course trickster Jerry comes in with that biting tone (some guitarist out there know what he was using then?) that would tear through the world like a flaming buzzsaw. Great version in a wall-to-wall highlights show.
Eyes Of The World
Dec. 31, 1976
Cow Palace

Fast and precise, with beautiful ensemble playing... but that transition into Wharf Rat is the smoothest just-exactly-perfect thing I've heard. Spectacular transition: Must have pulled a lot of trippin' hippies out of a wild spin and back into the sweet sweet mellow mellow.
Playin' In The Band
Dec. 31, 1976
Cow Palace

Agreed that this is a beaut. This one goes through several phases, with the noted jam at around 10:00 and then another transition into a more biting/buzzsaw tone around 15:00. It holds at a simmer rather than a boil, however so if you're looking for mad freaky weirdness then this won't necessarily scratch every itch.
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