headyversion

find the best versions of grateful dead songs

please login or register.

Carrion_Crow

Stealth Head

+48136


Submissions

2
Samson and Delilah
June 11, 1976
Boston Music Hall

Ballsy strut. Donna and Bobby are perfectly in sync, the mix is great, and Jerry's on fire. Check out the Miller cleanup.
4
The Music Never Stopped
June 11, 1976
Boston Music Hall

Baffling that this isn't here yet. Perfect tight ensemble playing, exhuberence and one idea flowing into another. Great recent C.Miller cleanup too.
3
Brown Eyed Women
June 11, 1976
Boston Music Hall

Beautifully cleaned up version up now showcases the tight ensemble playing here. Bobby's tone is crystal clear and his fills are a treat to hear.
7
It Must Have Been The Roses
June 11, 1976
Boston Music Hall

If you've passed by this show, you're missing out a sweetheart of a Roses here. Check out the new C.Miller clean pane of glass in the window.
7
Might As Well
June 11, 1976
Boston Music Hall

New C.Miller cleanup (10/17) brings in the love. Brilliant show opener with everything '76 has to offer: Hot mellow, lyricisms, and DJG at her best.

Comments

They Love Each Other
Dec. 31, 1976
Cow Palace

This signals exactly where they've been and where they're going. The transition year behind them, '77 coming on strong... a great and historically relevant version. Could be much higher, but probably sits between the '73 and the '77 fans' choices.
Bertha
Dec. 31, 1976
Cow Palace

Best one of the year: Deliberate, tight and right. Compare this to the weirdly accidental previous one they played on 15 October (the only clunker in that otherwise world-shatteringly brilliant show) and this makes me think they'd been thinking about bringing Bertha back into rotation, rehearsed it, nailed it, and brought it back in with diesel.
Comes A Time
Oct. 15, 1976
Shrine Auditorium

The transition out of this is so good it transforms the Franklin's that comes after it into an almost entirely different song. Strong performance and great show. Check out around 08:00: They go into a 12/8 meter riff that may be unique in the oeuvre. In any case this may be my top choice Comes A Time of all time.
The Other One
Oct. 15, 1976
Shrine Auditorium

Both a musically tight, breakneck roller-coaster and a psychedelicore madhouse filled with twists and turns a jump-out-at you moments of mind melting gooeyness. Around 08:35 they sound like they're going into a totally new jam, but it gets whisked away like so many hallucinations. Brilliant suite and one of the best of the few TOO of the year.
He's Gone
Oct. 15, 1976
Shrine Auditorium

This is one of the best shows of 1976, and every song just jams and jams beautifully (except maybe Bertha, which sounds like an unplanned mess). This He's Gone is one luscious peak after another. So beautiful, so fine.