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Carrion_Crow
Stealth Head
+48136
Submissions
2
Pretty Peggy O
Oct. 14, 1976
Shrine Auditorium
Powerful version. Is the only reason it's not yet here because only AUDs exist? Jeez Heads, get it together!
3
Cassidy
Oct. 14, 1976
Shrine Auditorium
Absolute ripper. Band sounds like they started warm and heated up. Great first set.
2
Johnny B. Goode
Oct. 10, 1976
Oakland-Alameda County Coliseum
Starts with Jerry barking orders: "Rock and Roll! Rock and Roll!" and it doesn't disappoint. Caps off a high intensity blazing glory of a show. DP33.
1
The Other One
Oct. 2, 1976
Riverfront Arena
Rare for '76, it starts a bit rough, but then finds its gear and blasts off. It sounds a bit like a mid-80s version to this head.
3
The Music Never Stopped
Oct. 2, 1976
Riverfront Arena
MLB makes a mini-return 4 minutes in when Jerry pulls Phil out of the song for some fun. MLB is the origin of TMNS. Here they are together.
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Comments
They Love Each Other
Dec. 31, 1976
Cow Palace
This signals exactly where they've been and where they're going. The transition year behind them, '77 coming on strong... a great and historically relevant version. Could be much higher, but probably sits between the '73 and the '77 fans' choices.
Bertha
Dec. 31, 1976
Cow Palace
Best one of the year: Deliberate, tight and right. Compare this to the weirdly accidental previous one they played on 15 October (the only clunker in that otherwise world-shatteringly brilliant show) and this makes me think they'd been thinking about bringing Bertha back into rotation, rehearsed it, nailed it, and brought it back in with diesel.
Comes A Time
Oct. 15, 1976
Shrine Auditorium
The transition out of this is so good it transforms the Franklin's that comes after it into an almost entirely different song. Strong performance and great show. Check out around 08:00: They go into a 12/8 meter riff that may be unique in the oeuvre. In any case this may be my top choice Comes A Time of all time.
The Other One
Oct. 15, 1976
Shrine Auditorium
Both a musically tight, breakneck roller-coaster and a psychedelicore madhouse filled with twists and turns a jump-out-at you moments of mind melting gooeyness. Around 08:35 they sound like they're going into a totally new jam, but it gets whisked away like so many hallucinations. Brilliant suite and one of the best of the few TOO of the year.
He's Gone
Oct. 15, 1976
Shrine Auditorium
This is one of the best shows of 1976, and every song just jams and jams beautifully (except maybe Bertha, which sounds like an unplanned mess). This He's Gone is one luscious peak after another. So beautiful, so fine.
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