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Carrion_Crow

Stealth Head

+48136


Submissions

3
Not Fade Away
June 28, 1976
Auditorium Theatre

Beautiful a capella outro here and check out Bobby's polyrythmic harmolodism during the last solo section for a treat.
2
Lazy Lightnin' -> Supplication
June 28, 1976
Auditorium Theatre

High energy and zigzagging, this is a fast one. Supplication is tons of fun, even if they don't quite stick the landing.
2
Looks Like Rain
June 28, 1976
Auditorium Theatre

Brilliant rise to a climactic finish. Jerry soloing like a man possessed behind sweet Bobby/Donna '76 harmonies. Nice one.
3
Promised Land
June 28, 1976
Auditorium Theatre

Up and jumping show opener from the first note. Keith's solo is brilliant.
1
Samson and Delilah
June 27, 1976
Auditorium Theatre

Way up tempo, sparkling and crispy with enough of both the gospel saint and the heretic sinner to make this one much fun. The '76s are just brilliant.

Comments

The Wheel
Oct. 10, 1976
Oakland-Alameda County Coliseum

Dick knew what he was doing by including the 10th in DP33, because this whole show is just bonkers good. I think the 10th's first set is genuinely better than the 9ths, but the second set is just amazing. This Playin'>Drums>Wheel>Drums>TOO>Stella>Playin' is as outrageous a set as you're going to find. Love this Wheel.
Playin' In The Band
Oct. 10, 1976
Oakland-Alameda County Coliseum

Agreed with the above comment, and this one seems to capture that '73 meltdown wildness in a 'lightning in a bottle' concision that makes this one arguably the best Playin' of '76.
Playin' In The Band
Oct. 10, 1976
Oakland-Alameda County Coliseum

Playin' In The Band
Oct. 10, 1976
Oakland-Alameda County Coliseum

Sorry about the reposts. Computer problems.
Dancin' in the Streets
Oct. 10, 1976
Oakland-Alameda County Coliseum

About six minutes in the band hits the warp drive, followed not one, not two, but three or four shifts in tone and direction, creating whole new feelings and moods. It's unique and exploratory, while also hitting highlights of tight-assed superfunk. This is one of the best of the year, in a year full of just brilliant versions. The long transition to Wharf Rat is just amazing, and it's exactly what I listen for in the 1000s of hours I devote to this music.