headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+48136


Submissions

1
Might As Well
June 27, 1976
Auditorium Theatre

Whole lot of fun here. Sounds like they meant it on this one. Closes out a great first set.
2
Looks Like Rain
June 27, 1976
Auditorium Theatre

Jerry and Keith are just on fire behind the beautiful vocal duet. This show is underappreciated. Give it a spin....
1
Friend of the Devil
June 27, 1976
Auditorium Theatre

Always preferred the fast ones, but listening to Jerry rip up the solos here and it makes sense. Killer version here (with a rude AUD patch though).
2
Brown Eyed Women
June 27, 1976
Auditorium Theatre

Has a crisp and tight disco shuffle prefiguring the '77 sound. Jerry's solo fills are precise and brilliant. Donna's harmonies are as sweet as ever.
1
The Wheel
June 26, 1976
Auditorium Theatre

Nice on its own, and brilliant as part of a great PITB-SS-Wheel-PITB sandwich. You can hear the fun their having. Short but sweet.
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Comments

The Wheel
Oct. 10, 1976
Oakland-Alameda County Coliseum

Dick knew what he was doing by including the 10th in DP33, because this whole show is just bonkers good. I think the 10th's first set is genuinely better than the 9ths, but the second set is just amazing. This Playin'>Drums>Wheel>Drums>TOO>Stella>Playin' is as outrageous a set as you're going to find. Love this Wheel.
Playin' In The Band
Oct. 10, 1976
Oakland-Alameda County Coliseum

Agreed with the above comment, and this one seems to capture that '73 meltdown wildness in a 'lightning in a bottle' concision that makes this one arguably the best Playin' of '76.
Playin' In The Band
Oct. 10, 1976
Oakland-Alameda County Coliseum

Playin' In The Band
Oct. 10, 1976
Oakland-Alameda County Coliseum

Sorry about the reposts. Computer problems.
Dancin' in the Streets
Oct. 10, 1976
Oakland-Alameda County Coliseum

About six minutes in the band hits the warp drive, followed not one, not two, but three or four shifts in tone and direction, creating whole new feelings and moods. It's unique and exploratory, while also hitting highlights of tight-assed superfunk. This is one of the best of the year, in a year full of just brilliant versions. The long transition to Wharf Rat is just amazing, and it's exactly what I listen for in the 1000s of hours I devote to this music.
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