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find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+48136


Submissions

4
Truckin'
Oct. 24, 1972
Performing Arts Center

Pity the SQ is so flat, as this one cooks up nice and hot, with some extra melodicism in the outro jam before D>TOO. This show needs a SBD infusion.
2
Playin' In The Band
Oct. 24, 1972
Performing Arts Center

hard to believe this big beast hasn't been tagged yet: Experimental, interesting, and at 23min, a nice long ride.
2
Box of Rain
Oct. 24, 1972
Performing Arts Center

Only the 2nd one they played after it went into circulation, and it conveys all the emotion and poetry of this wonderful song. Sing something Phil!
1
Brokedown Palace
Oct. 23, 1972
Milwaukee Performing Arts Center

For a song notoriously difficult to pull off live, this one is just beautiful. Succinct, harmonious, deliberate: All good, in spite of AUD quality.
2
China Cat Sunflower -> I Know You Rider
Oct. 23, 1972
Milwaukee Performing Arts Center

Great transition into Rider here. Really strong '72 ensemble playing. Sound quality is only about a B though.
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Comments

The Wheel
Oct. 10, 1976
Oakland-Alameda County Coliseum

Dick knew what he was doing by including the 10th in DP33, because this whole show is just bonkers good. I think the 10th's first set is genuinely better than the 9ths, but the second set is just amazing. This Playin'>Drums>Wheel>Drums>TOO>Stella>Playin' is as outrageous a set as you're going to find. Love this Wheel.
Playin' In The Band
Oct. 10, 1976
Oakland-Alameda County Coliseum

Agreed with the above comment, and this one seems to capture that '73 meltdown wildness in a 'lightning in a bottle' concision that makes this one arguably the best Playin' of '76.
Playin' In The Band
Oct. 10, 1976
Oakland-Alameda County Coliseum

Playin' In The Band
Oct. 10, 1976
Oakland-Alameda County Coliseum

Sorry about the reposts. Computer problems.
Dancin' in the Streets
Oct. 10, 1976
Oakland-Alameda County Coliseum

About six minutes in the band hits the warp drive, followed not one, not two, but three or four shifts in tone and direction, creating whole new feelings and moods. It's unique and exploratory, while also hitting highlights of tight-assed superfunk. This is one of the best of the year, in a year full of just brilliant versions. The long transition to Wharf Rat is just amazing, and it's exactly what I listen for in the 1000s of hours I devote to this music.
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