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Carrion_Crow
Stealth Head
+48136
Submissions
3
Sugaree
Nov. 14, 1972
Oklahoma City Music Hall
So smooth, so warm. 2nd song in the show, and they sound like its late 2nd set. Gem of a show, gem of a song.
1
Brown Eyed Women
Nov. 13, 1972
Soldiers and Sailors Memorial Hall
The Bear tape is a bit over-saturated, but the band is just killing it from all corners. Don't pass this one up out of aud-o-phobia.
3
China Cat Sunflower -> I Know You Rider
Nov. 13, 1972
Soldiers and Sailors Memorial Hall
Look for the Bear recording, which is the proper speed: You'll find a killer version with an explosive transition than just soars.
1
Loser
Nov. 13, 1972
Soldiers and Sailors Memorial Hall
Jerry's diamond hard-edged tone slices and slashes achingly, hauntingly, and clear desperado mode.
5
Bird Song
Nov. 12, 1972
Soldiers' and Sailors' Memorial Hall
Just Jerry, Phil, and Bobby are audible in this weird tape - but what a study of their communication. Worth a listen for that alone.
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Comments
The Wheel
July 16, 1976
Orpheum Theatre
Much more powerful on the vocals than many of the others around this time. They really belt it out as an ensemble and it's brilliant. The whole 2nd set is jaw-dropping.
Scarlet Begonias
July 16, 1976
Orpheum Theatre
Just sublime. An absolute punch-up beeyute of a standalone Scarlet. I know this is sacrilege to some of you, but I really appreciate the standalones before Scarlett was ankle-chained forever to FTM. Now I love those too, don't get me wrong, but finding SB as a set-closer (this one), or somewhere between others songs in a long jam (check her out on 15 June 1976 in between Sugar Mag and SSDD) gave it a lot of freedom that somehow got lost later on. Just sayin'.
Pretty Peggy O
July 16, 1976
Orpheum Theatre
Really should be higher. This has a strong pulse, sweet soloing, and a powerful rocking feel.
Brown Eyed Women
July 16, 1976
Orpheum Theatre
You can hear them develop a new sound for this song on both this one and the version from the 14th. There's no other way to describe it, but it's the first real indication to my ear of where they'd be by the beginning of '77, more crisp, more clean, and much more polished.
Cassidy
July 16, 1976
Orpheum Theatre
Barlow's beautiful essay about this masterpiece: https://www.litkicks.com/BarlowOnNeal
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