headyversion

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Carrion_Crow

Stealth Head

+48136


Submissions

2
Deal
Nov. 12, 1972
Soldiers' and Sailors' Memorial Hall

Channels missing in the SBD (no keys, quite vocals), but if you want to study just Jerry's solo, (and it's a killer one), then give this a spin.
3
Mississippi Halfstep Uptown Toodeloo
Oct. 30, 1972
Ford Auditorium

A solid, sweet rocker. Seems like MHUT had matured in '72 by this point to the stand-alone anchor that it remained until the end.
2
Candyman
Oct. 30, 1972
Ford Auditorium

The total package, with everything this song was meant to have: Sadness, menace, self-consciousness, braggadocio, regret. A beautiful performance.
3
Truckin'
Oct. 30, 1972
Ford Auditorium

Hot steam. Starting around 5:30 Jerry blisters the world with fire.
3
Box of Rain
Oct. 30, 1972
Ford Auditorium

Levels all a bit off, AUD a bit murky, but damned if this isn't the most glorious ensemble yowp this song can be. Joyous and loving: It's all there.
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Comments

The Wheel
July 16, 1976
Orpheum Theatre

Much more powerful on the vocals than many of the others around this time. They really belt it out as an ensemble and it's brilliant. The whole 2nd set is jaw-dropping.
Scarlet Begonias
July 16, 1976
Orpheum Theatre

Just sublime. An absolute punch-up beeyute of a standalone Scarlet. I know this is sacrilege to some of you, but I really appreciate the standalones before Scarlett was ankle-chained forever to FTM. Now I love those too, don't get me wrong, but finding SB as a set-closer (this one), or somewhere between others songs in a long jam (check her out on 15 June 1976 in between Sugar Mag and SSDD) gave it a lot of freedom that somehow got lost later on. Just sayin'.
Pretty Peggy O
July 16, 1976
Orpheum Theatre

Really should be higher. This has a strong pulse, sweet soloing, and a powerful rocking feel.
Brown Eyed Women
July 16, 1976
Orpheum Theatre

You can hear them develop a new sound for this song on both this one and the version from the 14th. There's no other way to describe it, but it's the first real indication to my ear of where they'd be by the beginning of '77, more crisp, more clean, and much more polished.
Cassidy
July 16, 1976
Orpheum Theatre

Barlow's beautiful essay about this masterpiece: https://www.litkicks.com/BarlowOnNeal
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