headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+48136


Submissions

7
Mama Tried
Aug. 7, 1971
Golden Hall

Sweet country Dead. Great mix if you want to feel Phil's thunder.
14
Mister Charlie
Aug. 7, 1971
Golden Hall

Jerry leans into it with a jaw-tighteningly crisp and high-voltage tone for a killer solo, though the group is a bit loose. Pigpen sounds amazing.
6
Rosalie McFall
Sept. 26, 1980
Warfield Theater

Absolute goodness. These shows are all so beautiful, the playing is all virtuoso, and the feeling is so positive. Brent here is especially perfect.
2
Dark Hollow
Sept. 26, 1980
Warfield Theater

Perfect. Bobby's silky voice, Gerry's understated but perfect picking, and Brent's barrelhouse honkytonk all on proud display.
1
The Other One
Sept. 23, 1976
Cameron Indoor Stadium, Duke U

Poor sound quality midway through, but its the first '76 set since the hiatus that goes off-the-rails weird, evoking the Wall of Sound era. Hot stuff.
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Comments

Scarlet Begonias
July 14, 1976
Orpheum Theatre

Super fine yes, but chilled out? I'm not so sure... By '74 standards the whole year is chilled out, but this SB grooves hard and goes deep in for over 10 minutes. One of the best stand alone versions, for sure.
High Time
July 13, 1976
Orpheum Theatre

This is an absolute beauty. Good call. This show needs a bit more love, folks.
Let It Grow
July 13, 1976
Orpheum Theatre

Can't update the version that I submitted, but I can recommend that you heads get yer asses over to July 13, 1976 and give this one a spin. It has one of the tightest, musically coherent and spotless drum solos in LIG that I know, and the whole thing just lights everything around it on chemical fire.
Cassidy
July 13, 1976
Orpheum Theatre

Play this for anyone who still insists a) that '76 was a chronic drag; or that b) Donna didn't sing beautifully when mic'd and mixed correctly.
Pretty Peggy O
July 13, 1976
Orpheum Theatre

Peggy-O doesn't usually strut or swagger, but this one does. There's a bit more oomph to it, even at the laid-back tempo of the era. Seems like Billy and Mickey kick it forward, adding a back-beat shuffle that serves the song nicely.
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