headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+48136


Submissions

9
The Music Never Stopped
June 15, 1976
Beacon Theatre

Really short, but very tight. Jerry ends with a cascading riff that sounds like spotaneous composition. Anyone know if they played this jam again?
9
Candyman
June 15, 1976
Beacon Theatre

A subtle beauty. Just a bit of swagger, just a bit of grit, lots of fine singing, and an acqueous solo for the ages.
6
Samson and Delilah
June 14, 1976
Beacon Theatre

Scorchin' hot barnburner here. The Rhythm Devils push this one ever hotter. Bobby and Donna sound perfect together.
2
Dancin' in the Streets
June 12, 1976
Music Hall

Superb version, surprising not listed yet. Tighter to my ears than the other more well-known ones in the Boston run. Check it out!
3
Johnny B. Goode
June 11, 1976
Boston Music Hall

MORE COWBELL! (And some very tight, blistering rock, sweet ensemble vocals, and good times for everyone after a great great show.)
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Comments

Scarlet Begonias
July 14, 1976
Orpheum Theatre

Super fine yes, but chilled out? I'm not so sure... By '74 standards the whole year is chilled out, but this SB grooves hard and goes deep in for over 10 minutes. One of the best stand alone versions, for sure.
High Time
July 13, 1976
Orpheum Theatre

This is an absolute beauty. Good call. This show needs a bit more love, folks.
Let It Grow
July 13, 1976
Orpheum Theatre

Can't update the version that I submitted, but I can recommend that you heads get yer asses over to July 13, 1976 and give this one a spin. It has one of the tightest, musically coherent and spotless drum solos in LIG that I know, and the whole thing just lights everything around it on chemical fire.
Cassidy
July 13, 1976
Orpheum Theatre

Play this for anyone who still insists a) that '76 was a chronic drag; or that b) Donna didn't sing beautifully when mic'd and mixed correctly.
Pretty Peggy O
July 13, 1976
Orpheum Theatre

Peggy-O doesn't usually strut or swagger, but this one does. There's a bit more oomph to it, even at the laid-back tempo of the era. Seems like Billy and Mickey kick it forward, adding a back-beat shuffle that serves the song nicely.
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