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Carrion_Crow

Stealth Head

+48136


Submissions

4
The Other One
Oct. 31, 1970
School Gymnasium, S.U.N.Y.

A barnburner that suffers a bit from compressed sound quality (and a mic. problem), but still hot & worth a spin. Cryptical outro gets going nicely.
2
Cold Rain and Snow
Oct. 31, 1970
School Gymnasium, S.U.N.Y.

Great forward, driving pulse to this one. Sounds like the had a blast playing it.
3
St. Stephen
Oct. 30, 1970
SUNY Stonybrook

Kind a chaotic mess, but with a shredding outro which extends the jam for 8 minutes. A strange, cool interpretation for SS fans like me.
8
Comes A Time
Dec. 27, 1986
Henry J. Kaiser Convention Center

Jerry at his most angelic, comes after Bobby at his most satanic. Beautiful stuff.
1
Sugar Magnolia
Oct. 30, 1970
SUNY Stonybrook

The jam kickstarts the band around minute 3, and they go from sleepyish to electric haywire.

Comments

Dark Star
April 24, 1972
Rheinhalle

Back here for more. It's really that good. After nearly 40 minutes of creating whole cosmos out of the air it almost sounds like they might land back into Playin' then maybe back into Dark Star melody for the second chorus, then into that beautiful Wharf Rat. Like a spinning twenty-sided die it could have landed anywhere, perfectly. G'damn, but this one deserves its spot on the front page.
Truckin'
April 24, 1972
Rheinhalle

When they open a show like this you just know you're in for something special. They are so tight from the jump, everyone in perfect sync, Jerry and Phil in perfect co-soloing mind-meld with Keith a bright comet overhead. Even the vocals are beautiful. Honest here, we chronically overlook Truckin' as heads, but I think it's ALWAYS (1970-1995) the best measure of how on they were for any given show. This one is just exactly perfect.
Dark Star
Sept. 27, 1972
Stanley Theatre

A long twisting story filled with beautiful forking paths. Jerry is an inspired lyricist, fluttering just out of reach like a thousand moths in moonlight.
Playin' In The Band
Sept. 27, 1972
Stanley Theatre

Agreed that this is pretty mellow next to the sustained firepower of the colossal August - November Playin' marathon after Europe. It's honestly an embarrassment of riches, (shout out to the August Berkeley shows for being chronically under appreciated), but I find something special in this one because it has elements that almost sound more like the electric Miles Davis-infused 1974 sound.
Black Throated Wind
Sept. 27, 1972
Stanley Theatre

This starts so calm and sane and soulful, then does that ramping-up thing and becomes a manic hurtling 18-wheeler. '72 may be the best year for BTW and this one is right up there with 'em.