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Carrion_Crow

Stealth Head

+48136


Submissions

2
Hurts Me Too
Oct. 17, 1970
Cleveland Music Hall

One of Pig's best: Perfect vox, great harp solo. Jerry too. Some tape issues, but thanx Mr. Miller... thanks a lot.
3
China Cat Sunflower -> I Know You Rider
Oct. 17, 1970
Cleveland Music Hall

Multigen sound quality, but unmistakenly tight jam with a sweet transition.
3
Doin' That Rag
Jan. 24, 1969
Avalon Ballroom

Song was brand new and they're searching for the sound, almost goes into a Violaesque jam. Transitional, hot stuff.
5
Death Don't Have No Mercy
Jan. 17, 1969
Civic Auditorium

Deep and mournful, with great organ fills and group soloing. Very solid.
6
St. Stephen
June 7, 1969
Fillmore West

Massively crunching Stephen with Jer's tone like a machinegunbuzzsaw. Out of a killer DS too. Why no love yet?
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Comments

Dark Star
April 24, 1972
Rheinhalle

Back here for more. It's really that good. After nearly 40 minutes of creating whole cosmos out of the air it almost sounds like they might land back into Playin' then maybe back into Dark Star melody for the second chorus, then into that beautiful Wharf Rat. Like a spinning twenty-sided die it could have landed anywhere, perfectly. G'damn, but this one deserves its spot on the front page.
Truckin'
April 24, 1972
Rheinhalle

When they open a show like this you just know you're in for something special. They are so tight from the jump, everyone in perfect sync, Jerry and Phil in perfect co-soloing mind-meld with Keith a bright comet overhead. Even the vocals are beautiful. Honest here, we chronically overlook Truckin' as heads, but I think it's ALWAYS (1970-1995) the best measure of how on they were for any given show. This one is just exactly perfect.
Dark Star
Sept. 27, 1972
Stanley Theatre

A long twisting story filled with beautiful forking paths. Jerry is an inspired lyricist, fluttering just out of reach like a thousand moths in moonlight.
Playin' In The Band
Sept. 27, 1972
Stanley Theatre

Agreed that this is pretty mellow next to the sustained firepower of the colossal August - November Playin' marathon after Europe. It's honestly an embarrassment of riches, (shout out to the August Berkeley shows for being chronically under appreciated), but I find something special in this one because it has elements that almost sound more like the electric Miles Davis-infused 1974 sound.
Black Throated Wind
Sept. 27, 1972
Stanley Theatre

This starts so calm and sane and soulful, then does that ramping-up thing and becomes a manic hurtling 18-wheeler. '72 may be the best year for BTW and this one is right up there with 'em.
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