headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+48130


Submissions

2
Samson and Delilah
Sept. 23, 1976
Cameron Indoor Stadium, Duke U

Bobby tears it up, not just vocally, but through brilliant guitar work
2
Looks Like Rain
Sept. 23, 1976
Cameron Indoor Stadium, Duke U

No doubt with a better source this would be high up on the list. Listen to Jerry's supersonic flyby as Bobby and Donna caress the out chorus.
2
Lazy Lightnin' -> Supplication
Sept. 23, 1976
Cameron Indoor Stadium, Duke U

Help us Charlie Miller, you're our only hope! Seriously though, this is a blisteringly hot version. Don't miss it.
1
Dancin' in the Streets
Aug. 26, 1976
Club Front Studio

Very cool studio rehearsals with new grooves and wildly flanged sound. Fall '76 versions are some of the best, and here they are still in the egg.
7
The Music Never Stopped
Aug. 4, 1976
Roosevelt Stadium

Jerry tears this one apart with a shredding solo. The link here is bass-heavy SBD with some decay, but just brilliant playing by all.
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Comments

The Other One
Feb. 28, 1969
Fillmore West

The Dead invented hard rock. There it is. This is when they were at their most dangerous, their most 'hide the kids' threatening to the squares. This version shoots you out of the cannon and blows you to a million pieces, before landing back safely at the beautiful Cryptical to follow: Jagged and heavy peaks, scary circles within circles and loops and fractal roller coasters where you're either on the bus or under it. Those who know don't always say, and those who say don't always know....
Promised Land
April 27, 1977
Capitol Theatre

Video link please? They all seem to have been removed.
Samson and Delilah
April 26, 1977
Capitol Theater

Swagger and strut. Bobby just owns the vocals, plus what's been said here already about Keith, who's just brilliant throughout this underrated show.
Eyes Of The World
April 26, 1977
Capitol Theater

Eyes Of The World
April 26, 1977
Capitol Theater

Nice long stretched out version with sparkling Keith accents throughout the long, lucid, solos showcasing Jerry at his clear-headed best. Don't let the AUD fool you. This is worth the ride. The transition to Samson is pretty weird for a few moments, like they were going into something else or a totally new territory before landing on it.
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