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Carrion_Crow

Stealth Head

+48130


Submissions

4
Brown Eyed Women
March 19, 1973
Nassau Coliseum

Pristine rendition, now audible with thanks to C.Miller. This is a peak era Dead, with new sounds and balance even in the straight rockers.
3
Loose Lucy
March 19, 1973
Nassau Coliseum

Such fun. Has a swagger and strut like the best, but a bit more fun and light. Thanks to C. Miller we can hear it now. Cheers, sir!
3
Take A Step Back
Sept. 24, 1976
William and Mary College Hall

Bobby and Phil help out the unconscious, the bug-eyed, and the two-dimensional.
8
Sing Me Back Home
Aug. 7, 1971
Golden Hall

So sweet and sad, with a giant of a solo and crisp harmonising.
6
Big Boss Man
Aug. 7, 1971
Golden Hall

Pigpen’s vox is just amazing here (as always). Great show.

Comments

The Music Never Stopped
April 29, 1977
The Palladium

Insane rager. The sound quality is muffled, so this beast should be best heard on headphones. This one might be even more fun than the brilliant one just before this 04/27. They keep taking it higher and higher, stepping up intensity until the crowd sounds like they're in an ecstasy. Spring '77... it really is just that good.
Loser
April 29, 1977
The Palladium

Agreed that this would really benefit from a SBD or matrix. I'm no AUD-phobe and love the warm sense of being there you can get only from the tapers, but hearing that crowd roar at the vocal peaks, hearing the harmonies Donna sneaks in behind Jerry, getting a better mix together for Bobby, or a less compressed sound and this one goes to the very top.
Cassidy
April 29, 1977
The Palladium

Upvoting Freedomhaul's perfect comment. This is Barlow and Bobby's crowning achievement.
They Love Each Other
April 29, 1977
The Palladium

Keith has a moment of brilliancy here, exploring his MOOG or whatever rig he was working on at this point in a killer solo. He's working on a steam-powered calliope sound just like a merry-go-round befitting the eye-rolling, tongue-in-cheek story being told in the song. Form... meet content.
Tennessee Jed
April 29, 1977
The Palladium

Jerry's lyricism and melodic poetry are just on point. Note-by-note his solos here are just exactly perfect. The crowd enthusiasm is palpable and they erupt with joy over this one.