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find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+48130


Submissions

7
Mama Tried
Aug. 7, 1971
Golden Hall

Sweet country Dead. Great mix if you want to feel Phil's thunder.
14
Mister Charlie
Aug. 7, 1971
Golden Hall

Jerry leans into it with a jaw-tighteningly crisp and high-voltage tone for a killer solo, though the group is a bit loose. Pigpen sounds amazing.
6
Rosalie McFall
Sept. 26, 1980
Warfield Theater

Absolute goodness. These shows are all so beautiful, the playing is all virtuoso, and the feeling is so positive. Brent here is especially perfect.
2
Dark Hollow
Sept. 26, 1980
Warfield Theater

Perfect. Bobby's silky voice, Gerry's understated but perfect picking, and Brent's barrelhouse honkytonk all on proud display.
1
The Other One
Sept. 23, 1976
Cameron Indoor Stadium, Duke U

Poor sound quality midway through, but its the first '76 set since the hiatus that goes off-the-rails weird, evoking the Wall of Sound era. Hot stuff.
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Comments

The Music Never Stopped
April 29, 1977
The Palladium

Insane rager. The sound quality is muffled, so this beast should be best heard on headphones. This one might be even more fun than the brilliant one just before this 04/27. They keep taking it higher and higher, stepping up intensity until the crowd sounds like they're in an ecstasy. Spring '77... it really is just that good.
Loser
April 29, 1977
The Palladium

Agreed that this would really benefit from a SBD or matrix. I'm no AUD-phobe and love the warm sense of being there you can get only from the tapers, but hearing that crowd roar at the vocal peaks, hearing the harmonies Donna sneaks in behind Jerry, getting a better mix together for Bobby, or a less compressed sound and this one goes to the very top.
Cassidy
April 29, 1977
The Palladium

Upvoting Freedomhaul's perfect comment. This is Barlow and Bobby's crowning achievement.
They Love Each Other
April 29, 1977
The Palladium

Keith has a moment of brilliancy here, exploring his MOOG or whatever rig he was working on at this point in a killer solo. He's working on a steam-powered calliope sound just like a merry-go-round befitting the eye-rolling, tongue-in-cheek story being told in the song. Form... meet content.
Tennessee Jed
April 29, 1977
The Palladium

Jerry's lyricism and melodic poetry are just on point. Note-by-note his solos here are just exactly perfect. The crowd enthusiasm is palpable and they erupt with joy over this one.
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