headyversion

find the best versions of grateful dead songs

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Carrion_Crow

Stealth Head

+48130


Submissions

2
Samson and Delilah
Sept. 23, 1976
Cameron Indoor Stadium, Duke U

Bobby tears it up, not just vocally, but through brilliant guitar work
2
Looks Like Rain
Sept. 23, 1976
Cameron Indoor Stadium, Duke U

No doubt with a better source this would be high up on the list. Listen to Jerry's supersonic flyby as Bobby and Donna caress the out chorus.
2
Lazy Lightnin' -> Supplication
Sept. 23, 1976
Cameron Indoor Stadium, Duke U

Help us Charlie Miller, you're our only hope! Seriously though, this is a blisteringly hot version. Don't miss it.
1
Dancin' in the Streets
Aug. 26, 1976
Club Front Studio

Very cool studio rehearsals with new grooves and wildly flanged sound. Fall '76 versions are some of the best, and here they are still in the egg.
7
The Music Never Stopped
Aug. 4, 1976
Roosevelt Stadium

Jerry tears this one apart with a shredding solo. The link here is bass-heavy SBD with some decay, but just brilliant playing by all.
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Comments

The Music Never Stopped
April 29, 1977
The Palladium

Insane rager. The sound quality is muffled, so this beast should be best heard on headphones. This one might be even more fun than the brilliant one just before this 04/27. They keep taking it higher and higher, stepping up intensity until the crowd sounds like they're in an ecstasy. Spring '77... it really is just that good.
Loser
April 29, 1977
The Palladium

Agreed that this would really benefit from a SBD or matrix. I'm no AUD-phobe and love the warm sense of being there you can get only from the tapers, but hearing that crowd roar at the vocal peaks, hearing the harmonies Donna sneaks in behind Jerry, getting a better mix together for Bobby, or a less compressed sound and this one goes to the very top.
Cassidy
April 29, 1977
The Palladium

Upvoting Freedomhaul's perfect comment. This is Barlow and Bobby's crowning achievement.
They Love Each Other
April 29, 1977
The Palladium

Keith has a moment of brilliancy here, exploring his MOOG or whatever rig he was working on at this point in a killer solo. He's working on a steam-powered calliope sound just like a merry-go-round befitting the eye-rolling, tongue-in-cheek story being told in the song. Form... meet content.
Tennessee Jed
April 29, 1977
The Palladium

Jerry's lyricism and melodic poetry are just on point. Note-by-note his solos here are just exactly perfect. The crowd enthusiasm is palpable and they erupt with joy over this one.
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