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Carrion_Crow

Stealth Head

+48130


Submissions

3
Who Do You Love
March 9, 1966
Owsley's House (rehearsal)

Pig is on fire and the band revs to 6000 rpm. Jerry's tone is a shredding crisp fist full of razor blades.
2
Samson and Delilah
Oct. 15, 1976
Shrine Auditorium

Lickety split drummer precision here and a stylin' strut in the heart of a great 2nd set.
2
Mama Tried
Oct. 15, 1976
Shrine Auditorium

Solid shitkicker. "As usual, dedicated to our equipment crew". Lol, Bobby.
3
Might As Well
Oct. 15, 1976
Shrine Auditorium

Great party starter. This song always signals good time ahead.
1
Looks Like Rain
Oct. 14, 1976
Shrine Auditorium

Sweet slow buildup to an explosion of emotion and Jer's flying guitar work. A strong version.

Comments

The Music Never Stopped
April 29, 1977
The Palladium

Insane rager. The sound quality is muffled, so this beast should be best heard on headphones. This one might be even more fun than the brilliant one just before this 04/27. They keep taking it higher and higher, stepping up intensity until the crowd sounds like they're in an ecstasy. Spring '77... it really is just that good.
Loser
April 29, 1977
The Palladium

Agreed that this would really benefit from a SBD or matrix. I'm no AUD-phobe and love the warm sense of being there you can get only from the tapers, but hearing that crowd roar at the vocal peaks, hearing the harmonies Donna sneaks in behind Jerry, getting a better mix together for Bobby, or a less compressed sound and this one goes to the very top.
Cassidy
April 29, 1977
The Palladium

Upvoting Freedomhaul's perfect comment. This is Barlow and Bobby's crowning achievement.
They Love Each Other
April 29, 1977
The Palladium

Keith has a moment of brilliancy here, exploring his MOOG or whatever rig he was working on at this point in a killer solo. He's working on a steam-powered calliope sound just like a merry-go-round befitting the eye-rolling, tongue-in-cheek story being told in the song. Form... meet content.
Tennessee Jed
April 29, 1977
The Palladium

Jerry's lyricism and melodic poetry are just on point. Note-by-note his solos here are just exactly perfect. The crowd enthusiasm is palpable and they erupt with joy over this one.