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Carrion_Crow

Stealth Head

+48130


Submissions

1
Wharf Rat
Sept. 30, 1976
Mershon Auditorium, OSU

Remarkable part of one of the rare hour + extended jams, great transitions in and out of it and a heartfelt beauty on its own.
2
El Paso
Sept. 30, 1976
Mershon Auditorium, OSU

Phil rips this one wide open with a brilliant countersolo to Jerry's brilliancies and whirlygigs. Strong version here.
3
Johnny B. Goode
Sept. 28, 1976
Onondaga County War Memorial

I think they encored JBG whenever they knew they'd absolutely nailed it. It's like comedians telling "The Aristocrats". Musicians can just tell....
9
Dancin' in the Streets
Sept. 28, 1976
Onondaga County War Memorial

How on earth is this not up yet? It really kicks off the Fall '76 retooling of Dancin' with style. Brilliant, tight, and part of an enormous 2nd set.
6
New Minglewood Blues
Sept. 28, 1976
Onondaga County War Memorial

This one and the 07.18.76 versions are both so goddamned good. Jerry is a tsunami behind snarlin' Bobby. So gritty, so good.
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Comments

The Music Never Stopped
April 29, 1977
The Palladium

Insane rager. The sound quality is muffled, so this beast should be best heard on headphones. This one might be even more fun than the brilliant one just before this 04/27. They keep taking it higher and higher, stepping up intensity until the crowd sounds like they're in an ecstasy. Spring '77... it really is just that good.
Loser
April 29, 1977
The Palladium

Agreed that this would really benefit from a SBD or matrix. I'm no AUD-phobe and love the warm sense of being there you can get only from the tapers, but hearing that crowd roar at the vocal peaks, hearing the harmonies Donna sneaks in behind Jerry, getting a better mix together for Bobby, or a less compressed sound and this one goes to the very top.
Cassidy
April 29, 1977
The Palladium

Upvoting Freedomhaul's perfect comment. This is Barlow and Bobby's crowning achievement.
They Love Each Other
April 29, 1977
The Palladium

Keith has a moment of brilliancy here, exploring his MOOG or whatever rig he was working on at this point in a killer solo. He's working on a steam-powered calliope sound just like a merry-go-round befitting the eye-rolling, tongue-in-cheek story being told in the song. Form... meet content.
Tennessee Jed
April 29, 1977
The Palladium

Jerry's lyricism and melodic poetry are just on point. Note-by-note his solos here are just exactly perfect. The crowd enthusiasm is palpable and they erupt with joy over this one.
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