headyversion

find the best versions of grateful dead songs

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DonnieInMT

GDTRFB

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Submissions

1
I Need A Miracle
April 9, 1988
Centrum

The Worcester crowd is really into it. Another hot version. Aren't they almost always hot?
5
Big Boss Man
April 9, 1988
Centrum

Jerry singing Big Boss Man to open the show - and nobody has mentioned this yet?
7
Sugar Magnolia
April 25, 1983
The Spectrum

This era is overlooked and underappreciated. This - like most around this time - cooks.
2
Goin' Down The Road Feelin' Bad
June 14, 1980
Spokane Coliseum

Love the restraint Jerry plays with during the second instrumental break. Very measured and disciplined.
1
Good Lovin'
Oct. 12, 1981
Olympia Halle

Bob's rap starts off with an indirect mention of Pigpen.

Comments

Tore Up Over You
May 22, 1975
Keystone

Here we get two solos from Jerry, Merl Saunders and Martin Fierro. Jerry jumps back in control to finish things off. Worth a listen, that be for sure.
Brother Esau
June 30, 1984
Indianapolis Sports and Music Center

Songs include, aside from Esau, are Dire Wolf, Dupree's Diamond Blues, Far From Me, Lost Sailor, Spoonful and Day Job.
Mystery Train
July 7, 1975
Great American Music Hall

I know there's people that don't like Legion of Mary, but anybody that loves Jerry Garcia will love this version. Jerry's vocals are strong and passionate. His guitar work is spectacular. There's a misconception out there that LOM was Jerry Garcia and some guys backing him up. This version shows that they were a cohesive unit, working together as a team. Even with the slowed down tempo, there's this fountain of energy that keeps erupting to the end. Trust me - even if you don't like LOM, you will love this version.
Mexicali Blues
March 13, 1985
Berkeley Community Theatre

The instrumental break is hot. Jerry carries the load all by himself and shines.
Mexicali Blues
Dec. 8, 1973
Cameron Indoor Stadium, Duke U

Tight playing from Jerry and Keith. Keith's pacing is so good. He doesn't miss a beat, timing his playing to reach its peak at the exact moment the song takes one of its turns.