headyversion

find the best versions of grateful dead songs

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Ernie5

No cholesterol.

+3673


Submissions

1
Cumberland Blues
Dec. 13, 1969
Swing Auditorium

A cozy little delight - hand percussion, contemplation, great stereo drums, and some rip roaring riffage. Comes in under the radar, but worth a visit.
12
Sugaree
June 18, 1976
Capitol Theatre

As much as I love May 77 Sugarees, Spring 76 is where it's at for me. Subtlety, separation, and Garcia's whispery, silver-dipped guitar breaks.
6
Candyman
April 19, 1978
Veterans Memorial Auditorium

1978: Prime weather for Candyman. This performance, like many from then, highlights the bleak world of the narrator. Garcia's break: spidery.
4
Tennessee Jed
Oct. 29, 1971
Allen Theatre

Bubbly, bratty storyboard version. Character & twang for miles. I'd pay to see this band. Two for a tenner? Four please.
9
Terrapin Station
April 27, 1977
Capitol Theatre

This is a very sweet Terrapin. Everyone's fired up to play it. All you need to do is watch the vid to see the pure joy this brings Garcia. Memorable.
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Comments

Samson and Delilah
Feb. 4, 1978
Milwaukee Auditorium

Lesh is insane on this one, too.
Estimated Prophet
Jan. 10, 1978
Shrine Auditorium

Gonna soak in this tonight on my stereo. Thanks for the tip.
China Cat Sunflower -> I Know You Rider
Aug. 27, 1972
Old Renaissance Faire Grounds

For me, this is possibly The One. The way they swerve off-course so gracefully in the transition is really one-of-a-kind. I also think '72 is the peak of C>R (if I had to choose a year).
Eyes Of The World
June 10, 1973
RFK Stadium

Home town shed. In the beginning of the song, I think that might be Jack Kent Cooke. Or someone tripping who is going through some sort of DNA transmutation. I work for the government: I'll try to find out how he's doing. Meanwhile, fucking Hurricane Eyes. Kreutzmann alone: all the diff.
Playin' In The Band
June 4, 1977
The Forum

"Some folks look for ussssin" - after that a proper Spring 77 Playin' and then some. I've always loved this audience and it shows, really well, how his song could not just fill a space, but interact with it.
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